"Offenbach: Les contes d'Hoffman, Act 4: Barcarolle - "Belle nuit, ô nuit d'amour" (Giulietta, Niklausse)" by Jacques Offenbach, Jennifer Larmore, Hei-Kyung Hong, Jesús López-Cobos, Munich Radio Orchestra was released on April 29, 2008. The duration of Offenbach: Les contes d'Hoffman, Act 4: Barcarolle - "Belle nuit, ô nuit d'amour" (Giulietta, Niklausse) is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Offenbach: Les contes d'Hoffman, Act 4: Barcarolle - "Belle nuit, ô nuit d'amour" (Giulietta, Niklausse)'s duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 40 Most Beautiful Arias (international version), so we believe that "Offenbach: Les contes d'Hoffman, Act 4: Barcarolle - "Belle nuit, ô nuit d'amour" (Giulietta, Niklausse)" is a single. The popularity of Offenbach: Les contes d'Hoffman, Act 4: Barcarolle - "Belle nuit, ô nuit d'amour" (Giulietta, Niklausse) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Offenbach: Les contes d'Hoffman, Act 4: Barcarolle - "Belle nuit, ô nuit d'amour" (Giulietta, Niklausse) by Jacques Offenbach, Jennifer Larmore, Hei-Kyung Hong, Jesús López-Cobos, Munich Radio Orchestra is Presto (very, very fast), since this song has a tempo of 181 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hungarian Dance No. 1 in G Minor: Allegro molto | Johannes Brahms, London Festival Orchestra, Alfred Scholz | G Minor | 1 | 6A | 91 BPM | ||
8 Slavonic Dances, Op.46, B.83: No.1 in C (Presto) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | G Major | 2 | 9B | 106 BPM | ||
Jazz Suite No. 2: III. Dance 1 | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | A Major | 3 | 11B | 153 BPM | ||
Polovetsian Dances from Prince Igor: Moderato alla breve | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 2 | 11B | 108 BPM | ||
Klarinettenkonzert A-Dur, K. 622: 2. Adagio (Jenseits von Afrika): II. Adagio | Wolfgang Amadeus Mozart, David Shifrin, Mostly Mozart Orchestra, Gerard Schwarz | D Major | 0 | 10B | 78 BPM | ||
Masquerade Suite: I. Waltz | Aram Khachaturian, Kirill Kondrashin, RCA Victor Symphony Orchestra | C Major | 3 | 8B | 181 BPM | ||
Dorfschwalben aus Osterreich, Op. 164 | Josef Strauss, Wiener Symphoniker, Manfred Honeck | E♭ Major | 1 | 5B | 94 BPM | ||
Scheherazade: The Sea & Sinbad's Ship | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 1 | 12B | 82 BPM | ||
Annen Polka, Op. 117 | Orchestra of the Viennese Volksoper & Alfred Scholz | D Major | 1 | 10B | 79 BPM | ||
Offenbach: Orphée aux enfers, Act 2 Tableau 4: "Ce bal est original" (Pluton, Jupiter, Vénus, Eurydice, Chorus) | Jacques Offenbach, Marc Minkowski, Orchestre De L'Opéra National De Lyon | B♭ Major | 3 | 6B | 129 BPM |
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