Marc-Antoine Charpentier, Sir Neville Marriner, Academy of St. Martin in the Fields, Dawn Upshaw, Kurt Moll's 'Charpentier: Te Deum, H. 146: X. Dignare Domine' came out on February 9, 2024. With Charpentier: Te Deum, H. 146: X. Dignare Domine being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 10 out of 21 in Chrapentier: Te Deum, H. 146 & Magnificat, H. 74 by Marc-Antoine Charpentier, Sir Neville Marriner, Academy of St. Martin in the Fields. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Charpentier: Te Deum, H. 146: X. Dignare Domine is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Charpentier: Te Deum, H. 146: X. Dignare Domine by Marc-Antoine Charpentier, Sir Neville Marriner, Academy of St. Martin in the Fields, Dawn Upshaw, Kurt Moll is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater: 4. Quae moerabat | Giovanni Battista Pergolesi, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | E♭ Major | 1 | 5B | 75 BPM | ||
Concerto Grosso No. 5 in D Minor (after D. Scarlatti): II. Allegro | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 2 | 12A | 132 BPM | ||
"If Music Be The Food Of Love", Z.379 | Henry Purcell, Emma Kirkby, Richard Campbell, Christopher Hogwood | F Major | 1 | 7B | 84 BPM | ||
Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM | ||
Suite in G minor: IV. Bourree II (Arr. A. Camden) | George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | C Minor | 1 | 5A | 114 BPM | ||
Le Concert Royal de la nuit: Ouverture | Anonymous, Ensemble Correspondances, Sébastien Daucé | B Major | 0 | 1B | 84 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 1: "Ah se intorno a quest'urna funesta" (Coro) | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore Choir, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Te Deum: Symphonie | Jean-Baptiste Lully, Le Concert Spirituel, Herve Niquet | B Major | 2 | 1B | 106 BPM | ||
Chamber Sonata No. 4 in G Minor: III. Adagio | Élisabeth Jacquet de La Guerre, Musica Fiorita | D Minor | 3 | 7A | 99 BPM | ||
Missa Tempore Quadragesimae, MH 553: Kyrie | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | A Major | 0 | 11B | 77 BPM |
Section: 0.6888551712036133
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