Emmerich Kálmán, Reinhold Bartel, Herta Talmar, Grosses Operetten Orchester, Franz Marszalek's 'Gräfin Mariza - Operetta in 3 Acts: Sag ja, mein Lieb', sag ja' came out on January 1, 1993. The duration of Gräfin Mariza - Operetta in 3 Acts: Sag ja, mein Lieb', sag ja is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Gräfin Mariza - Operetta in 3 Acts: Sag ja, mein Lieb', sag ja's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Emmerich Kálmán, Reinhold Bartel, Rita Bartos, Benno Kusche, Herta Talmar, Willi Hofmann, Renate Holm, Peter Alexander, Chor, Grosses Operetten Orchester, Franz Marszalek's "Gräfin Mariza - Die Csárdásfürstin - Die Zirkusprinzessin" album is number 2 out of 32. Gräfin Mariza - Operetta in 3 Acts: Sag ja, mein Lieb', sag ja is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Gräfin Mariza - Operetta in 3 Acts: Sag ja, mein Lieb', sag ja by Emmerich Kálmán, Reinhold Bartel, Herta Talmar, Grosses Operetten Orchester, Franz Marszalek to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Feuerfest Polka, Op. 269 | Josef Strauss, Wiener Philharmoniker, Willi Boskovsky | D Major | 5 | 10B | 96 BPM | ||
Andrea Chenier: Act I: Compiacente á colloquii | Umberto Giordano, Sherrill Milnes, James Levine | F♯ Minor | 2 | 11A | 129 BPM | ||
In lauschiger Nacht, Walzer, Op. 488 | Carl Michael Ziehrer, Franz Welser-Möst, Wiener Philharmoniker | E♭ Major | 1 | 5B | 97 BPM | ||
Tanzen möcht' ich | Emmerich Kálmán, Angelika Kirchschlager, Simon Keenlyside, Alfred Eschwe, Tonkünstler-Orchester | C Major | 2 | 8B | 95 BPM | ||
Ein Herbstmanöver (Giessen Version with Dialogue by B. Kovalik): Seht hier dies Büchlein beschieden und grau | Emmerich Kálmán, Marie Seidler, Christiane Boesiger, Giessen State Theatre Chorus, Giessen State Theatre Philharmonic Orchestra, Michael Hofstetter | G Major | 1 | 9B | 75 BPM | ||
Venetianer-Galopp, Op. 74 | Johann Strauss I, Slovak Sinfonietta, Zilina, Ernst Märzendorfer | B Major | 3 | 1B | 159 BPM | ||
23. If you go in you're sure to win | Arthur Sullivan, Thomas Round, John Reed, Donald Adams, The New Symphony Orchestra Of London, Isidore Godfrey | E Major | 3 | 12B | 63 BPM | ||
Die Entführung aus dem Serail, K. 384, Act I: Solche hergelaufne Laffen - Was bist du nur für ein Mensch! - Erst geköpft, dann gehangen - Remastered 2024 | Wolfgang Amadeus Mozart, Endre Koreh, Peter Klein, Walther Ludwig, Wiener Philharmoniker, Josef Krips | B♭ Major | 1 | 6B | 96 BPM | ||
6 Lieder, Op. 50: No. 2. Der Jager Abschied | Felix Mendelssohn, Berlin Radio Chorus, male section, Dietrich Knothe | E♭ Major | 1 | 5B | 137 BPM | ||
Nymphen-Polka, Op. 50 | Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Walter Hilgers | C Major | 2 | 8B | 75 BPM |
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