Melchior Hoffmann, Markus Schäfer, Cologne Chamber Orchestra, Helmut Muller-Bruhl made "Meine Seele ruhmt und preist (attrib. J.S. Bach, BWV 189): Aria: Meine Seele ruhmt und preist (Tenor)" available on June 20, 2006. Since Meine Seele ruhmt und preist (attrib. J.S. Bach, BWV 189): Aria: Meine Seele ruhmt und preist (Tenor) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 13 out of 22 in Bach, J.S. / Hoffmann / Telemann: Alto and Tenor Cantatas, Bwv 35, 55, 160, 189 by Cologne Chamber Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Meine Seele ruhmt und preist (attrib. J.S. Bach, BWV 189): Aria: Meine Seele ruhmt und preist (Tenor) is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Meine Seele ruhmt und preist (attrib. J.S. Bach, BWV 189): Aria: Meine Seele ruhmt und preist (Tenor) by Melchior Hoffmann, Markus Schäfer, Cologne Chamber Orchestra, Helmut Muller-Bruhl is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater in F Minor, G. 532: IV. Quis est homo. Adagio assai - Recitativo | Luigi Boccherini, Núria Rial, Orchester Le Phenix | G Major | 3 | 9B | 150 BPM | ||
Violinkonzert G-moll Bwv 1056 - 2. Largo - Arrangement Für Flöte Und Orchester | Philippe Racine, English Chamber Orchestra, Simon Preston | B♭ Major | 1 | 6B | 99 BPM | ||
Plsalm 130 - "De Profundis" in d moll, ZWV. 50 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | E Major | 1 | 12B | 139 BPM | ||
In convertendo Dominus | Sébastien de Brossard, Ensemble Baroque De Limoges, Christophe Coin | A Major | 2 | 11B | 151 BPM | ||
Mensa sonora / PARS III (In A Minor): 4. Ciacona | Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel | A♭ Minor | 0 | 1A | 114 BPM | ||
Bach, JS: Gottes Zeit ist die allerbeste Zeit, BWV 106 "Actus Tragicus": No. 2, Chöre, Arioso und Aria. "Gottes Zeit ist die allerbeste Zeit" | Johann Sebastian Bach, Gustav Leonhardt, Leonhardt-Consort | F♯ Major | 1 | 2B | 77 BPM | ||
Concerto for Flute and Oboe in B Minor, FaWV L:h1: III. Allegro | Johann Friedrich Fasch, Jan De Winne, Marcel Ponseele, Il Gardellino | B♭ Minor | 1 | 3A | 110 BPM | ||
San Casimiro, re di Polonia: Al serto le rose (Duetto) | Alessandro Scarlatti, Núria Rial, Valer Sabadus | A Major | 1 | 11B | 95 BPM | ||
Echo und Narcissus: Frische Blatter, grüne Zweige | Melchior Hoffmann, Jan Kobow, United Continuo Ensemble | A♭ Minor | 1 | 1A | 83 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: III. Sequentia, 3. Oro supplex et acclinis | Niccolò Jommelli, Miriam Feuersinger, Il Gardellino, Gaia Petrone, Valerio Contaldo, Wolf Matthias Friedrich, Peter Van Heyghen | B Minor | 1 | 10A | 139 BPM |
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