Giuseppe Tartini, Severino Gazzelloni, I Musici's 'Concerto a 5 for Flute, Strings, and Continuo in G: 1. Allegro non molto' came out on January 1, 2000. With this song being around four minutes long, at 4:00, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 7 out of 18 in Baroque Flute Concertos by Various Artists. Concerto a 5 for Flute, Strings, and Continuo in G: 1. Allegro non molto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto a 5 for Flute, Strings, and Continuo in G: 1. Allegro non molto by Giuseppe Tartini, Severino Gazzelloni, I Musici is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fidelio, Op. 72: Overture | Ludwig van Beethoven, Wolfgang Glashof, Hungarian Radio Chorus, Nicolaus Esterhazy Sinfonia, Michael Halasz, Alan Titus, Gösta Winbergh, Inga Nielsen, Kurt Moll, Edith Lienbacher, Herwig Pecoraro, Péter Pálinkás, József Moldvay | E Major | 1 | 12B | 62 BPM | ||
Elgar: Variations on an Original Theme, Op. 36, "Enigma": Theme (Andante) | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | G Minor | 1 | 6A | 178 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): IV. Séguedille | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 0 | 10B | 176 BPM | ||
Chopin: Piano Sonata No. 1 in C Minor, Op. 4: I. Allegro maestoso | Frédéric Chopin, Leif Ove Andsnes | C Minor | 1 | 5A | 76 BPM | ||
Vitali: Chaconne in G Minor | Tomaso Antonio Vitali, Ji Young Lim, Dong Hyek Lim | G Minor | 2 | 6A | 143 BPM | ||
Liebesfreud | Fritz Kreisler, Joshua Bell, Paul Coker | F Major | 1 | 7B | 99 BPM | ||
Double Bass Concerto, Op. 3: I. Allegro | Serge Koussevitzky, Iván Sztankov, Budapest Symphony Orchestra, Janos Kovacs | F♯ Minor | 1 | 11A | 73 BPM | ||
Cinderella Suite No. 1, Op. 107: VII. Cinderella's Waltz | Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar | G Major | 3 | 9B | 194 BPM | ||
Violin Concerto No. 1 in A minor, BWV 1041: I. (Allegro moderato) | Johann Sebastian Bach, Daniel Lozakovich, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc, Olga Watts | A Minor | 4 | 8A | 91 BPM | ||
Concerto a cinque No. 2, Op. 9: I. Allegro e no presto | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | D♭ Minor | 3 | 12A | 169 BPM |
Section: 0.6166026592254639
End: 0.627948522567749