Niccolò Paganini, Daniel Rowland, Maja Bogdanovic, Alberto Mesirca, Razvan Popovici's 'Quartet No. 6 in D Minor, (Op. 5 No. 3) M.S.33: III. Tema cantabile, quasi Larghetto' came out on May 1, 2023. Since Quartet No. 6 in D Minor, (Op. 5 No. 3) M.S.33: III. Tema cantabile, quasi Larghetto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 32 in the song's album "Paganini: Complete Quartets for String Trio and Guitar Vol. 1". In this album, this song's track order is #16. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, Quartet No. 6 in D Minor, (Op. 5 No. 3) M.S.33: III. Tema cantabile, quasi Larghetto is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Quartet No. 6 in D Minor, (Op. 5 No. 3) M.S.33: III. Tema cantabile, quasi Larghetto by Niccolò Paganini, Daniel Rowland, Maja Bogdanovic, Alberto Mesirca, Razvan Popovici having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 5 in A Minor, MS 78: III. Rondo. Andantino quasi allegretto (Ed. M. Quarta) | Niccolò Paganini, Ivan Pochekin, Russian Philharmonic Orchestra, Dmitry Yablonsky | A Minor | 2 | 8A | 101 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": III. Scherzo. Molto vivace | Antonín Dvořák, New York Philharmonic, Alan Gilbert | C Major | 1 | 8B | 121 BPM | ||
Paganini: 24 Caprices, Op. 1: No. 16 in G Minor | Niccolò Paganini, Itzhak Perlman | G Minor | 3 | 6A | 82 BPM | ||
Le roi s'amuse: Final | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Minor | 1 | 8A | 94 BPM | ||
Double Bass Concerto, Op. 3: III. Allegro | Serge Koussevitzky, Iván Sztankov, Budapest Symphony Orchestra, Janos Kovacs | F♯ Minor | 2 | 11A | 69 BPM | ||
Abdelazer: Rondeau | Henry Purcell, Academy of St. Martin in the Fields, Sir Neville Marriner | B Minor | 1 | 10A | 66 BPM | ||
Sonata in G Minor: II. Courante: Allegro con spirito | Henry Eccles, Amit Peled, Eliza Ching | G Minor | 2 | 6A | 127 BPM | ||
Scherzo-tarantelle in G Minor, Op.16 - 1987 Remastered Version | Henryk Wieniawski, Itzhak Perlman, Samuel Sanders | D Major | 3 | 10B | 114 BPM | ||
Chaminade: Flute Concertino, Op. 107 | Cécile Chaminade, Emmanuel Pahud, François Leleux, Orchestre de chambre de Paris | D Major | 1 | 10B | 83 BPM | ||
24 Caprices, Op. 1, MS 25 (Acc. by R. Schumann): No. 7 in A Minor. Posato | Robert Schumann, Niccolò Paganini, Maristella Patuzzi, Mario Patuzzi | C Major | 2 | 8B | 76 BPM |
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