Michael Tilson Thomas's 'Bachianas Brasileiras No. 4: Danza (Miudinho): Molto animato' came out on September 30, 1996. With this song being around four minutes long, at 3:48, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Villa Lobos/Alma Brasileira by Michael Tilson Thomas. The song's track number on the album is #4 out of 13 tracks. In terms of popularity, Bachianas Brasileiras No. 4: Danza (Miudinho): Molto animato is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Bachianas Brasileiras No. 4: Danza (Miudinho): Molto animato by Michael Tilson Thomas has a tempo of 109 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Bachianas Brasileiras No. 4: Danza (Miudinho): Molto animato being at 109 BPM, the half-time would be 54 BPM with a double-time of 218 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Berg: Violin Concerto: Andante-Allegretto | Alban Berg, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 89 BPM | ||
Piano Concerto No.2 In F Minor, Op.21: 3. Allegro vivace | Frédéric Chopin, Krystian Zimerman, Polish Festival Orchestra | B♭ Minor | 2 | 3A | 107 BPM | ||
Debussy: La plus que lente, L. 121 | Claude Debussy, San Francisco Symphony, Michael Tilson Thomas | G Major | 0 | 9B | 133 BPM | ||
Variation XVIII: Andante Cantabile | Sergei Rachmaninoff, Leonard Pennario, Arthur Fiedler, Boston Pops Orchestra | C Major | 4 | 8B | 148 BPM | ||
Concerto for Clarinet and Orchestra No. 1 in F minor J114 (Op. 73): Allegro | Carl Maria von Weber, Sabine Meyer, Herbert Blomstedt, Staatskapelle Dresden | F Minor | 1 | 4A | 128 BPM | ||
Borodin - String Quartet No.2 in D major: Notturno: Andante | Alexander Borodin, Borodin Quartet | A Major | 2 | 11B | 74 BPM | ||
Carmen Suite: VIII. Bolero (after G. Bizet): Introduction | Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar | D♭ Major | 0 | 3B | 99 BPM | ||
Schumann: Symphony No. 1 in B-Flat Major, Op. 38, Spring: II. Larghetto | Robert Schumann, San Francisco Symphony, Michael Tilson Thomas | E♭ Major | 1 | 5B | 57 BPM | ||
Old American Songs: II. The Dodger | Aaron Copland, Michael Tilson Thomas, Mormon Tabernacle Choir, Utah Symphony Orchestra | G Major | 3 | 9B | 96 BPM | ||
Suite in B-Flat Major, Nowak 34 (Excerpts): IV. Finale. Sehr schnell | Hans Rott, Gürzenich Orchester Köln, Christopher Ward | B♭ Major | 2 | 6B | 93 BPM |
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