"Die Frau ohne Schatten, Op. 65, TrV 234, Act III: Act III: Den Namen des Herrn? (Geisterbote, Amme, Barak, Frau, Chorus)" by Richard Strauss, Dietrich Volle, Tanja Ariane Baumgartner, Frankfurter Opern- und Museumsorchester, Chor der Oper Frankfurt, Terje Stensvold, Sabine Hogrefe, Sebastian Weigle had its release date on October 2, 2015. This song is about six minutes long, preciously at 5:32, making this song fairly long compared to other songs. There are a total of 43 in the song's album "R. Strauss: Die Frau ohne Schatten, Op. 65, TrV 234". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Germany. Die Frau ohne Schatten, Op. 65, TrV 234, Act III: Act III: Den Namen des Herrn? (Geisterbote, Amme, Barak, Frau, Chorus) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Die Frau ohne Schatten, Op. 65, TrV 234, Act III: Act III: Den Namen des Herrn? (Geisterbote, Amme, Barak, Frau, Chorus) by Richard Strauss, Dietrich Volle, Tanja Ariane Baumgartner, Frankfurter Opern- und Museumsorchester, Chor der Oper Frankfurt, Terje Stensvold, Sabine Hogrefe, Sebastian Weigle having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 1, Op. 25 in D "Classical": Finale | Sergei Prokofiev, Yuri Temirkanov | D Major | 0 | 10B | 77 BPM | ||
5 Lieder, Op. 39, TrV 189: No. 4. Befreit | Richard Strauss, Hedwig Fassbender, Hilko Dumno | E Minor | 2 | 9A | 72 BPM | ||
Salome, Op. 54 / Scene 3: "Wo ist er, dessen Sündenbecher jetzt voll ist?" | Richard Strauss, Cheryl Studer, Clemens Bieber, Bryn Terfel, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | D Major | 3 | 10B | 78 BPM | ||
La forza del destino: Overture (Sinfonia) | Giuseppe Verdi, Berliner Philharmoniker, Claudio Abbado | E Minor | 2 | 9A | 80 BPM | ||
Salome, Op. 54 / Scene 2: "Jauchze nicht, du Land Palästina" | Richard Strauss, Cheryl Studer, Marianne Rorholm, Bryn Terfel, Clemens Bieber, Bengt Rundgren, William Murray, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | A♭ Major | 3 | 4B | 128 BPM | ||
Piano Concerto in A Minor, Op.16: III. Allegro moderato molto e marcato | Edvard Grieg, Javier Perianes, BBC Symphony Orchestra, Sakari Oramo | F Major | 2 | 7B | 114 BPM | ||
Violin Concerto In D Major, Op. 35: III. Finale: Allegro assai vivace | Erich Wolfgang Korngold, Gil Shaham, London Symphony Orchestra, André Previn | B Major | 1 | 1B | 142 BPM | ||
4 Pieces, Op. 51: 3. Poème ailé | Alexander Scriabin, Evgeny Kissin | B Major | 0 | 1B | 97 BPM | ||
Eine Alpensinfonie: II. Der Anstieg - Eintritt in den Wald | Richard Strauss, Bernard Haitink, London Symphony Orchestra | E♭ Major | 0 | 5B | 80 BPM | ||
Die Frau ohne Schatten, Op. 65, TrV 234, Act I: Act I: Licht uberm see (Amme, Geisterbote) | Richard Strauss, Frankfurter Opern- und Museumsorchester, Tanja Ariane Baumgartner, Dietrich Volle, Sebastian Weigle | E Major | 3 | 12B | 125 BPM |