"Salome, Op. 54 / Scene 3: "Wo ist er, dessen Sündenbecher jetzt voll ist?"" by Richard Strauss, Cheryl Studer, Clemens Bieber, Bryn Terfel, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli was released on January 1, 1991. With this song being around four minutes long, at 4:24, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 32 in the song's album "Richard Strauss: Salome". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Germany. Salome, Op. 54 / Scene 3: "Wo ist er, dessen Sündenbecher jetzt voll ist?" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Salome, Op. 54 / Scene 3: "Wo ist er, dessen Sündenbecher jetzt voll ist?" by Richard Strauss, Cheryl Studer, Clemens Bieber, Bryn Terfel, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fontane di Roma, P. 106: III. La fontana di Trevi al meriggio | Ottorino Respighi, New York Philharmonic, Giuseppe Sinopoli | G Minor | 1 | 6A | 105 BPM | ||
War Requiem, Op. 66: iii. Requiem Aeternam - "What passing-bells for these who die as cattle?" | Benjamin Britten, Gianandrea Noseda, Ian Bostridge, London Symphony Orchestra | D♭ Major | 0 | 3B | 80 BPM | ||
Rusalka, Op. 114 / Act 3: Necitelná vodní moci | Antonín Dvořák, Renée Fleming, Czech Philharmonic Orchestra, Sir Charles Mackerras | E♭ Major | 2 | 5B | 85 BPM | ||
Stimmungsbilder, Op.9 : I. Auf stillem Waldespfad (In silent forests) | Alex Alguacil, Richard Strauss | B♭ Major | 0 | 6B | 119 BPM | ||
Symphony No. 3 in D Minor, Part II: V. Lustig im Tempo und keck im Ausdruck | Gustav Mahler, Leonard Bernstein, New York Philharmonic | F Major | 2 | 7B | 120 BPM | ||
Tosca / Act 2: "Tosca, finalmente mia!" | Giacomo Puccini, Montserrat Caballé, Ingvar Wixell, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | D♭ Minor | 4 | 12A | 108 BPM | ||
Carmen (1997 - Remaster), Act III: Quant au douanier, c'est notre affaire | Georges Bizet, Maria Callas, Nadine Sautereau, Jane Berbié, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Paris Opera Orchestra | F♯ Major | 2 | 2B | 131 BPM | ||
Tannhäuser - Paris version / Act I: "Naht euch dem Strande" (Venusberg Music) | Richard Wagner, Chorus of the Royal Opera House, Covent Garden, Philharmonia Orchestra, Giuseppe Sinopoli | E Major | 1 | 12B | 82 BPM | ||
Wagner: Lohengrin, Act 1: "Zum kampf für eine Magd zu stehn" (Lohengrin, Elsa, Chorus) | Richard Wagner, Daniel Barenboim, Chor der Deutschen Staatsoper Berlin, Emily Magee, Peter Seiffert, Staatskapelle Berlin | A Major | 1 | 11B | 56 BPM | ||
Symphony No. 8 in E Flat Major "Symphony of a Thousand" / Pt. 2: Blicket auf zum Retterblick | Gustav Mahler, Simon O'Neill, Los Angeles Master Chorale, Pacific Chorale, Los Angeles Children's Chorus, National Children’s Chorus, Los Angeles Philharmonic, Gustavo Dudamel | E♭ Major | 2 | 5B | 84 BPM |
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