"Die Frau ohne Schatten, Op. 65, TrV 234, Act I: Act I: Licht uberm see (Amme, Geisterbote)" by Richard Strauss, Frankfurter Opern- und Museumsorchester, Tanja Ariane Baumgartner, Dietrich Volle, Sebastian Weigle had its release date on October 2, 2015. This song is about six minutes long, preciously at 5:30, making this song fairly long compared to other songs. There are a total of 43 in the song's album "R. Strauss: Die Frau ohne Schatten, Op. 65, TrV 234". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. Based on our statistics, Die Frau ohne Schatten, Op. 65, TrV 234, Act I: Act I: Licht uberm see (Amme, Geisterbote)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Die Frau ohne Schatten, Op. 65, TrV 234, Act I: Act I: Licht uberm see (Amme, Geisterbote) by Richard Strauss, Frankfurter Opern- und Museumsorchester, Tanja Ariane Baumgartner, Dietrich Volle, Sebastian Weigle having a BPM of 125 with a half-time of 62 BPM and a double-time of 250 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ein Heldenleben, Op. 40, TrV 190: Der Held | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 2 | 5B | 112 BPM | ||
Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
Symphonia domestica, Op. 53, TrV 209: Wiegenlied - | Richard Strauss, Weimar Staatskapelle, Antoni Wit | G Major | 0 | 9B | 78 BPM | ||
Symphony No. 5 in D Minor, Op. 47: II. Allegretto | Dmitri Shostakovich, Oslo Philharmonic Orchestra, Klaus Mäkelä | C Major | 1 | 8B | 150 BPM | ||
Symphonie fantastique, Op. 14, H 48: 5d. Songe d'une nuit du Sabbat - Dies irae et Ronde du Sabbat ensemble | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | B♭ Major | 1 | 6B | 153 BPM | ||
Also sprach Zarathustra, Op.30, TrV 176: Das Grablied | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | F♯ Minor | 1 | 11A | 93 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Symphony No.8 In G, Op.88, B. 163: 4. Allegro ma non troppo | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | G Major | 2 | 9B | 141 BPM | ||
Concerto for 2 Pianos and Orchestra (No.10) in E flat, K.365: 3. Rondeau (Allegro) | Wolfgang Amadeus Mozart, Alfred Brendel, Imogen Cooper, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 2 | 5B | 87 BPM | ||
Piano Concerto in A Minor, Op.16: III. Allegro moderato molto e marcato | Edvard Grieg, Javier Perianes, BBC Symphony Orchestra, Sakari Oramo | F Major | 2 | 7B | 114 BPM |