Duos for Two Cellos, Op. 51 No. 1 in A Major: II. Andante - Jacques Offenbach, Giovanni Sollima, Andrea Noferini Information

Acousticness: 98%
Danceability: 22%
Energy: 2%
Instrumentalness: 77%
Liveness: 9%
Loudness: 51%
Speechiness: 6%
Valence: 15%
Popularity: 2%
Loudness: -29.178 dB

Summary

"Duos for Two Cellos, Op. 51 No. 1 in A Major: II. Andante" by Jacques Offenbach, Giovanni Sollima, Andrea Noferini was released on 2012. The duration of Duos for Two Cellos, Op. 51 No. 1 in A Major: II. Andante is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Duos for Two Cellos, Op. 51 No. 1 in A Major: II. Andante's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 34 in the song's album "Offenbach: Cello Duets". In this album, this song's track order is #18. Based on our statistics, Duos for Two Cellos, Op. 51 No. 1 in A Major: II. Andante's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Duos for Two Cellos, Op. 51 No. 1 in A Major: II. Andante BPM

With Duos for Two Cellos, Op. 51 No. 1 in A Major: II. Andante by Jacques Offenbach, Giovanni Sollima, Andrea Noferini having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Duos for Two Cellos, Op. 51 No. 1 in A Major: II. Andante Key

This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Julius Caesar, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra)	George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie Masterson	E Major	0	12B	72 BPM
Les Contes d'Hoffmann - Arr. M. Moszkowski: Barcarolle	Jacques Offenbach, Jean-Yves Thibaudet	A Major	1	11B	169 BPM
Suite No. 3, P. 172: I. Italiana: Andantino	Ottorino Respighi, RTÉ National Symphony Orchestra	B♭ Major	1	6B	94 BPM
Il barbiere di Siviglia (The Barber of Seville): Overture	Gioachino Rossini, Zagreb Festival Orchestra, Michael Halasz	E Major	1	12B	171 BPM
Tosca / Act II: "Vissi d'arte, vissi d'amore"	Giacomo Puccini, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano	E♭ Major	1	5B	82 BPM
William Tell Overture	Gioachino Rossini, Arthur Fiedler, Boston Pops Orchestra	E Major	6	12B	169 BPM
Piano Sonata No. 11 in A Major, K. 331: III. Allegretto (Alla Turca)	Wolfgang Amadeus Mozart, Christoph Eschenbach	A Major	2	11B	129 BPM
Grieg: Peer Gynt (Incidental Music), Op. 23, Act 2: No. 8, In the Hall of the Mountain King	Edvard Grieg, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner	B Minor	1	10A	105 BPM
Les Contes d'Hoffmann / Act III: Barcarolle (Arr. for Violin, Cello, Piano and String Ensemble by Aleksandar Sedlar)	Jacques Offenbach, Nemanja Radulović, Camille Thomas, Double Sens	D Major	0	10B	73 BPM
Handel: Water Music, Suite No. 2 in D Major, HWV 349: II. Alla Hornpipe	George Frideric Handel, Sir Neville Marriner, Academy of St. Martin in the Fields	D Major	2	10B	115 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6631152629852295

End: 0.6664626598358154