"Zigeunerweisen, Op. 20" by Pablo de Sarasate, Anne-Sophie Mutter, Wiener Philharmoniker, James Levine was released on January 1, 2011. Since Zigeunerweisen, Op. 20 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 10 out of 23 in ASM35 - The Complete Musician - Highlights by Anne-Sophie Mutter. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Zigeunerweisen, Op. 20 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Zigeunerweisen, Op. 20 by Pablo de Sarasate, Anne-Sophie Mutter, Wiener Philharmoniker, James Levine is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto, Op. 14: II. Andante - Instrumental | Samuel Barber, Hilary Hahn, Hugh Wolff, Saint Paul Chamber Orchestra | E Major | 1 | 12B | 102 BPM | ||
Dance of the Dolls: Lyric Waltz (Orch. by Tamas Batiashvili) | Dmitri Shostakovich, Lisa Batiashvili, Symphonieorchester des Bayerischen Rundfunks, Esa-Pekka Salonen | B♭ Major | 0 | 6B | 168 BPM | ||
Tik-Tak Polka, Polka schnell, Op. 365 | Johann Strauss II, Gustavo Dudamel, Wiener Philharmoniker | A Major | 6 | 11B | 90 BPM | ||
Liebesfreud | Fritz Kreisler, Joshua Bell, Paul Coker | F Major | 1 | 7B | 99 BPM | ||
Cavalleria rusticana: Intermezzo | Pietro Mascagni, Valery Gergiev, Wiener Philharmoniker | F Major | 1 | 7B | 84 BPM | ||
Piano Concerto No. 1 in E Minor, Op. 11: III. Rondo (Vivace) | Frédéric Chopin, Seong-Jin Cho, London Symphony Orchestra, Gianandrea Noseda | D Major | 1 | 10B | 107 BPM | ||
Violin Concerto in D Major, Op. 35: III. Finale (Allegro vivacissimo) | Pyotr Ilyich Tchaikovsky, Vilde Frang, Eivind Gullberg Jensen, Danish National Symphony Orchestra | D Major | 1 | 10B | 86 BPM | ||
España - Rhapsody For Orchestra | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | F Major | 3 | 7B | 129 BPM | ||
Carmen Fantasy, Op. 25: IV. Moderato | Pablo de Sarasate, Itzhak Perlman, New York Philharmonic, Zubin Mehta | C Major | 3 | 8B | 166 BPM | ||
Estrellita | Manuel Ponce, Lucio Degani, Andrea Rucli | F♯ Major | 2 | 2B | 87 BPM |
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