Pablo de Sarasate, Itzhak Perlman, New York Philharmonic, Zubin Mehta made "Carmen Fantasy, Op. 25: IV. Moderato" available on January 1, 1987. The duration of Carmen Fantasy, Op. 25: IV. Moderato is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Carmen Fantasy, Op. 25: IV. Moderato's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 11 in the song's album "Sarasate: Carmen-Fantasy / Ravel: Tzigane / Saint-Saëns: Introduction & Rondo Capriccioso; Havanaise / Chausson: Poème". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Germany. The popularity of Carmen Fantasy, Op. 25: IV. Moderato is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Carmen Fantasy, Op. 25: IV. Moderato by Pablo de Sarasate, Itzhak Perlman, New York Philharmonic, Zubin Mehta having a BPM of 166 with a half-time of 83 BPM and a double-time of 332 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Paganini: 24 Caprices, Op. 1: No. 13 in B-Flat Major | Niccolò Paganini, Itzhak Perlman | B♭ Major | 1 | 6B | 67 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 3. Finale (Allegro energico) | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 2 | 9B | 91 BPM | ||
From Holberg's Time, Op. 40: I. Praeludium: Allegro vivace | Edvard Grieg, Moscow Soloists, Yuri Bashmet | G Minor | 1 | 6A | 117 BPM | ||
Gershwin: Porgy and Bess, Act 2 Scene 2: "It ain't necessarily so" (Arr. for Violin and Piano by Jascha Heifetz) | George Gershwin, Samuel Sanders, Itzhak Perlman | F Major | 1 | 7B | 95 BPM | ||
Holberg Suite, Op.40: 5. Rigaudon (Allegro con brio) | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 128 BPM | ||
Prince Igor: Polovtsian Dances (Remastered): No. 17e, Moderato alla breve | Alexander Borodin, Leonard Bernstein, New York Philharmonic | A Major | 2 | 11B | 0 BPM | ||
Symphony No. 5 in D Minor, Op. 47: IV. Allegro non troppo | Dmitri Shostakovich, Leonard Bernstein, New York Philharmonic | B♭ Major | 3 | 6B | 107 BPM | ||
Love Theme (From "Cinema Paradiso") | Ennio Morricone, Itzhak Perlman, John Williams, Pittsburgh Symphony Orchestra | B♭ Major | 2 | 6B | 32 BPM | ||
Tzigane, M.76 | Maurice Ravel, Anne-Sophie Mutter, Wiener Philharmoniker, James Levine | D Major | 3 | 10B | 111 BPM | ||
Pelléas et Mélisande, Op. 80: III. Sicilienne | Gabriel Fauré, Zubin Mehta, Israel Philharmonic Orchestra | G Minor | 0 | 6A | 74 BPM |
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