"La mascotte : Ces envoyés du paradis" by Charles Lecocq, Henri Meilhac, Ludovic Halévy, André Baugé was released on 1994. The duration of La mascotte : Ces envoyés du paradis is about 3 minutes long, at 3:09. Based on our data, "La mascotte : Ces envoyés du paradis" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 18 in the song's album "Operette Masters (Classic Historical Recordings 2)". In this album, this song's track order is #11. Furthermore, we believe that the track originated from France. In terms of popularity, La mascotte : Ces envoyés du paradis is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La mascotte : Ces envoyés du paradis by Charles Lecocq, Henri Meilhac, Ludovic Halévy, André Baugé having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Az intezett veszedelem vagy Hazy szeretete (Threatening Danger or Love of the Fatherland): VI. Az el menes (Marching off) | Antal Gyorgy Csermak, Budapest Strings, Karoly Botvay | D Major | 1 | 10B | 149 BPM | ||
La Fille Mal Gardee: Pas de (arr. March): Act II: Allegro moderato: Coda | March, Peter Ludwig Hertel, Sofia National Opera Orchestra, Boris Spassov | A Major | 1 | 11B | 84 BPM | ||
Auroraa, Op. 165: Aurora-Polka, Op. 165 | Johann Strauss II, Slovak State Philharmonic Orchestra, Alfred Walter | G Major | 2 | 9B | 97 BPM | ||
Offenbach: La vie parisienne, Act 1: Ouverture - Chœur. "Nous sommes employés de la ligne de l'Ouest" - Dialogue. "À quelle heure arrive le train de Trouville ?" (Chœur, Bobinet, Gardefeu, L'Employé) | Jacques Offenbach, Michel Plasson, André Batisse, Choeur Du Capitole De Toulouse, Michel Sénéchal, Michel Trempont, Orchestre Du Capitole De Toulouse | G Major | 3 | 9B | 111 BPM | ||
The Sleeping Beauty, Op. 66, TH.13 / Prologue: 3i. Pas de six: Coda | Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Uri Zagorodniuk, Sergei Roldugin, Valery Gergiev | E Major | 0 | 12B | 127 BPM | ||
Casse-Noisette suite, Op. 71a ; TH 35: II. Danse chinoise | Pyotr Ilyich Tchaikovsky, Royal Concertgebouw Orchestra, Eduard van Beinum | B Minor | 5 | 10A | 94 BPM | ||
Etudes: XI. Small leaps | Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra | G Major | 1 | 9B | 159 BPM | ||
Le Petit Duc, Act I: Overture | Charles Lecocq, Orchestre de l'Association des Concerts Lamoureux, Rene Herent, Freda Betti, Jules Gressier, Willy Clement | F♯ Major | 2 | 2B | 81 BPM | ||
La Bayadère / Act 1: No.5 Andante sostenuto | Ludwig Minkus, English Chamber Orchestra, Richard Bonynge | B♭ Major | 1 | 6B | 90 BPM | ||
Pirouettes, ballet "La Esmeralda", Pas de deux, variation Esmeralda in D-Major, Act 1 | Cesare Pugni, Konstantin Mortensen | A Major | 1 | 11B | 114 BPM |
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