Pyotr Ilyich Tchaikovsky, Royal Concertgebouw Orchestra, Eduard van Beinum's 'Casse-Noisette suite, Op. 71a ; TH 35: II. Danse chinoise' came out on March 29, 2024. With Casse-Noisette suite, Op. 71a ; TH 35: II. Danse chinoise being less than two minutes long, at 1:05, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 16 in the song's album "Tchaïkovski pour les petits maestros". In this album, this song's track order is #4. Furthermore, we believe that the track originated from France. In terms of popularity, Casse-Noisette suite, Op. 71a ; TH 35: II. Danse chinoise is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Casse-Noisette suite, Op. 71a ; TH 35: II. Danse chinoise by Pyotr Ilyich Tchaikovsky, Royal Concertgebouw Orchestra, Eduard van Beinum having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 1 in D, Op. 25 "Classical Symphony": 2. Larghetto | Sergei Prokofiev, No Borders Orchestra, Premil Petrovic | E Major | 0 | 12B | 76 BPM | ||
弦楽のためのアダージョ (バーバー)[式後の音楽] | ソフィア交響楽団 | B♭ Minor | 1 | 3A | 78 BPM | ||
The Mill on the Brook, Kinderleben Op.62 No.10 (Theodor Kullak) | The Gerst Ensemble | A Major | 0 | 11B | 77 BPM | ||
25 Études faciles et progressives, Op. 100: No. 11, La bergeronnette | Franz Burgmüller, The Gerst Ensemble | C Major | 0 | 8B | 124 BPM | ||
Etudes: X. Sola prima ballerina | Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra | C Major | 1 | 8B | 83 BPM | ||
Des Matrosen Heimkehr: Tanz der Schiffsjungen | Franz von Suppé, Tonkünstler-Orchester, Ola Rudner | D Major | 2 | 10B | 168 BPM | ||
Ohne Bremse, Polka schnell, Op. 238 | Eduard Strauss, Christian Thielemann, Wiener Philharmoniker | D Major | 4 | 10B | 85 BPM | ||
Octet, Op. 7 (Arr. for String Orchestra by Wilson, Lovell-Jones & Nelson): III. Lentement | George Enescu, Sinfonia Of London, John Wilson | E Major | 1 | 12B | 85 BPM | ||
Copland: Suite from Appalachian Spring: IV. The Revivalist and His Flock. Fast (1945 Version) | Aaron Copland, Minnesota Orchestra, Sir Neville Marriner | C Major | 0 | 8B | 87 BPM | ||
小序曲 (「くるみ割り人形」より) | Václav Neumann, Czech Philharmonic Chamber Orchestra | G Major | 2 | 9B | 75 BPM |
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