Cesare Pugni, Konstantin Mortensen's 'Pirouettes, ballet "La Esmeralda", Pas de deux, variation Esmeralda in D-Major, Act 1' came out on August 10, 2020. The duration of Pirouettes, ballet "La Esmeralda", Pas de deux, variation Esmeralda in D-Major, Act 1 is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Pirouettes, ballet "La Esmeralda", Pas de deux, variation Esmeralda in D-Major, Act 1's duration is considered a little bit shorter than the average duration of a typical track. The song is number 22 out of 35 in Ballet Class Music 4 by Konstantin Mortensen. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Pirouettes, ballet "La Esmeralda", Pas de deux, variation Esmeralda in D-Major, Act 1 is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Pirouettes, ballet "La Esmeralda", Pas de deux, variation Esmeralda in D-Major, Act 1 by Cesare Pugni, Konstantin Mortensen is Moderato (at a moderate speed), since this song has a tempo of 114 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Clair de Lune für Violine und Klavier: Andante trés expressif | Claude Debussy, Philipp Jonas, Maximilian Schairer | D♭ Major | 1 | 3B | 89 BPM | ||
Allegro | Joseph-Hector Fiocco, Steven Staryk, Eloise Niwa | G Major | 3 | 9B | 193 BPM | ||
Masquerade, Ballet Music - Suite from the Music to the "Drama of Lermontov": I. Waltz | Aram Khachaturian, Karen Khatchaturian, Moscow RTV Symphony Orchestra | C Major | 5 | 8B | 97 BPM | ||
Sonata for Violin Solo No. 1 in G Minor, BWV 1001: 4. Presto | Johann Sebastian Bach, Hilary Hahn | G Minor | 3 | 6A | 125 BPM | ||
Carmen Ballet: Entrance of Carmen and Habañera | Arthur Fiedler | G Major | 1 | 9B | 120 BPM | ||
Burgmuller: Innocence | Franz Burgmüller, SoonHwon Kwon | F Major | 3 | 7B | 95 BPM | ||
Violin Concerto in A Minor, BWV 1041: I. Allegro | Johann Sebastian Bach, Kolja Blacher, Cologne Chamber Orchestra, Helmut Muller-Bruhl | A Minor | 3 | 8A | 106 BPM | ||
Beethoven Sonatina No 1 in G Major | Jonathan Geer, Ludwig van Beethoven | G Major | 0 | 9B | 130 BPM | ||
Tarantella | Albert Peczonka, Igor Machlak | A Minor | 1 | 8A | 98 BPM | ||
Quartet, Op. 2: II. Andante mosso - For Clarinet and String Trio | Cesare Pugni, Italian Classical Consort, Luigi Magistrelli, Giacomo Orlandi, Luca Moretti, Elisabetta Soresina | B♭ Major | 0 | 6B | 90 BPM |
Section: 0.7848210334777832
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