"Quartet, Op. 2: II. Andante mosso - For Clarinet and String Trio" by Cesare Pugni, Italian Classical Consort, Luigi Magistrelli, Giacomo Orlandi, Luca Moretti, Elisabetta Soresina was released on October 23, 2020. The duration of Quartet, Op. 2: II. Andante mosso - For Clarinet and String Trio is about 3 minutes long, at 3:21. Based on our data, "Quartet, Op. 2: II. Andante mosso - For Clarinet and String Trio" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 9 out of 11 in Cesare Pugni: Three Quartets for Clarinet and String Trio (World Premiere Recording) by Cesare Pugni, Luigi Magistrelli, Italian Classical Consort. In terms of popularity, Quartet, Op. 2: II. Andante mosso - For Clarinet and String Trio is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Quartet, Op. 2: II. Andante mosso - For Clarinet and String Trio by Cesare Pugni, Italian Classical Consort, Luigi Magistrelli, Giacomo Orlandi, Luca Moretti, Elisabetta Soresina is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach : Minuet In G Major | Piano Classic | B♭ Major | 1 | 6B | 70 BPM | ||
The Tale of Tsar Saltan: The Tale of Tsar Saltan: Flight of the Bumblebee | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | G Major | 1 | 9B | 80 BPM | ||
Raymonda, Act III: Variation 1 | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | D Major | 1 | 10B | 84 BPM | ||
Elgar : Salut D'Amour | Piano Classic | E Major | 2 | 12B | 169 BPM | ||
Summer (L'Estate) Op.8 No.2 G Minor: Allegro Non Molto | Baroque Festival Orchestra, Alberto Lizzio | G Minor | 0 | 6A | 176 BPM | ||
Raymonda, Op. 57: Act II - Variation I | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | D♭ Major | 0 | 3B | 83 BPM | ||
La Fille Mal Gardee: Pas de (arr. March): Act II: Moderato: Women's variation | March, Peter Ludwig Hertel, Sofia National Opera Orchestra, Boris Spassov | C Major | 0 | 8B | 111 BPM | ||
The Sleeping Beauty, Op. 66 : Act II, No.15 b) Variation d'Aurore (Aurora's Variation) | Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko | B♭ Major | 1 | 6B | 72 BPM | ||
Paganini / Arr. Kreisler: Violin Concerto No. 2 in B Minor, Op. 7 "La campanella": III. Rondo "La campanella" | Niccolò Paganini, Julie Berthollet, Guillaume Vincent | B Minor | 2 | 10A | 142 BPM | ||
Die Flamme von Paris (Flames of Paris) (arr. March): Act IV: Moderato: Men's Variation | Boris Vladimirovich Asafiev, March, Sofia National Opera Orchestra, Boris Spassov | A♭ Major | 1 | 4B | 95 BPM |
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