Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko's 'The Sleeping Beauty, Op. 66 : Act II, No.15 b) Variation d'Aurore (Aurora's Variation)' came out on January 1, 2003. The duration of The Sleeping Beauty, Op. 66 : Act II, No.15 b) Variation d'Aurore (Aurora's Variation) is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. The Sleeping Beauty, Op. 66 : Act II, No.15 b) Variation d'Aurore (Aurora's Variation)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "The Sleeping Beauty (complete) Vol. 2". In this album, this song's track order is #12. The Sleeping Beauty, Op. 66 : Act II, No.15 b) Variation d'Aurore (Aurora's Variation) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Sleeping Beauty, Op. 66 : Act II, No.15 b) Variation d'Aurore (Aurora's Variation) by Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Sylphide: Act II: Sylph Scene: Divertissement | Herman Severin Løvenskiold, Kim Sjøgren, Royal Danish Orchestra, David Garforth | D Major | 0 | 10B | 78 BPM | ||
Act I: Pas De Caractere (Street Dancer & Torero Espada) (Minkus) | Mariinsky Orchestra | C Major | 4 | 8B | 142 BPM | ||
La fille mal gardée / Act 2: 27. Thomas, Alain And The Notaries | Ferdinand Hérold, Orchestra of the Royal Opera House, Covent Garden, John Lanchbery | A Major | 1 | 11B | 130 BPM | ||
Ballet Suite No. 4 (arr. L. Atovmyan): Waltz (The Song of Great Rivers) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | C Major | 2 | 8B | 96 BPM | ||
Le Corsaire: Act II - "4. Grand Pas: Variation: Ali" | Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes | A♭ Major | 1 | 4B | 121 BPM | ||
The Carnival of the Animals, R.125: XIV. Finale | Camille Saint-Saëns, Cologne New Philharmonic, Nataša Majer, Ana Pišpek, Volker Hartung | C Major | 4 | 8B | 101 BPM | ||
Divertissement pour une fete de nuit: VI. Valse dans les jardins | Reynaldo Hahn, Ensemble Initium, Orchestre des Pays de Savoie, Nicolas Chalvin | D♭ Major | 1 | 3B | 129 BPM | ||
Les Sylphides: 7. Valse | Frédéric Chopin, National Philharmonic Orchestra, Richard Bonynge | D♭ Minor | 1 | 12A | 79 BPM | ||
Symphony No. 5 in D Major, Op. 107, MWV N15, "Reformation": II. Allegro vivace | Felix Mendelssohn, Heidelberg Symphony Orchestra, Thomas Fey | G Minor | 0 | 6A | 96 BPM | ||
Coppelia: Act III - Danse de fete | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | D Major | 0 | 10B | 72 BPM |
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