Nikolai Rimsky-Korsakov, Jochen Kowalski, Olga Schalajewa, Sofia Philharmonic Orchestra, Michail Jurowski made "The Snow Maiden: Act I: Sdorovo, Lehl prigozhij, gosstem bud" available on August 1, 2010. The duration of The Snow Maiden: Act I: Sdorovo, Lehl prigozhij, gosstem bud is about 3 minutes long, at 3:13. Based on our data, "The Snow Maiden: Act I: Sdorovo, Lehl prigozhij, gosstem bud" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 12 in the song's album "The Russian Opera Album". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Germany. The Snow Maiden: Act I: Sdorovo, Lehl prigozhij, gosstem bud is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With The Snow Maiden: Act I: Sdorovo, Lehl prigozhij, gosstem bud by Nikolai Rimsky-Korsakov, Jochen Kowalski, Olga Schalajewa, Sofia Philharmonic Orchestra, Michail Jurowski having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
Sylvia: Act III: Divertissement: Pizzicati | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 127 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Chaminade: Flute Concertino, Op. 107 | Cécile Chaminade, Emmanuel Pahud, François Leleux, Orchestre de chambre de Paris | D Major | 1 | 10B | 83 BPM | ||
Valse triste, Op. 44 | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | D♭ Major | 0 | 3B | 67 BPM | ||
Ancient Airs And Dances, Suite No.3, P. 172: 3. Siciliana | Ottorino Respighi, Boston Symphony Orchestra, Seiji Ozawa | C Minor | 2 | 5A | 109 BPM | ||
Après un rêve, Op. 7, No. 1 | Gabriel Fauré, Yo-Yo Ma | F Minor | 0 | 4A | 115 BPM | ||
Cinderella, Op.87: 13. Summer Fairy | Sergei Prokofiev, Cleveland Orchestra, Vladimir Ashkenazy | F Major | 1 | 7B | 74 BPM | ||
Carmen Suite No. 1: 2. Aragonaise | Georges Bizet, Orchestre de Paris, Semyon Bychkov | D Minor | 0 | 7A | 120 BPM | ||
Neapolitanskaya pesenka (Neapolitan song), Op. 63 (version for piano 4-hands) | Nikolai Rimsky-Korsakov, Caroline Clemmow, Anthony Goldstone | G Major | 1 | 9B | 104 BPM |
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