"Madama Butterfly (1986 - Remaster), Act II: Che vuol da me? (Butterfly/Suzuki/Sharpless/Kate)" by Giacomo Puccini, Renata Scotto, Anna Di Stasio, Silvana Padoan, Rolando Panerai, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Sir John Barbirolli, Orchestra Del Teatro Dell'Opera Di Roma was released on 1967. With this song being about 5 minutes long, at 5:23, "Madama Butterfly (1986 - Remaster), Act II: Che vuol da me? (Butterfly/Suzuki/Sharpless/Kate)" by Giacomo Puccini, Renata Scotto, Anna Di Stasio, Silvana Padoan, Rolando Panerai, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Sir John Barbirolli, Orchestra Del Teatro Dell'Opera Di Roma is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 36 in the song's album "Puccini: Madam Butterfly". In this album, this song's track order is #17. Furthermore, we believe that the track originated from United Kingdom. Madama Butterfly (1986 - Remaster), Act II: Che vuol da me? (Butterfly/Suzuki/Sharpless/Kate) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Madama Butterfly (1986 - Remaster), Act II: Che vuol da me? (Butterfly/Suzuki/Sharpless/Kate) by Giacomo Puccini, Renata Scotto, Anna Di Stasio, Silvana Padoan, Rolando Panerai, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Sir John Barbirolli, Orchestra Del Teatro Dell'Opera Di Roma having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rossini: La cenerentola, Act 2: "Nacqui all'affanno e al pianto.....Non più mesta" (Angelina) | Gioachino Rossini, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | E Major | 1 | 12B | 122 BPM | ||
Il Barbiere di Siviglia (1996 Digital Remaster): Ah, qual colpo inaspettato! (Figaro/Conte/Rosina) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | F Major | 2 | 7B | 134 BPM | ||
Puccini: Il tabarro: "Avevo ben ragione" (Michele, Giorgetta) | Giacomo Puccini, Carlo Guelfi/Maria Guleghina/London Symphony Orchestra/Antonio Pappano, Antonio Pappano, London Symphony Orchestra | A♭ Major | 1 | 4B | 65 BPM | ||
Madama Butterfly / Act 2: Io so che alle pene | Giacomo Puccini, Robert Kerns, Luciano Pavarotti, Christa Ludwig, Wiener Philharmoniker, Herbert von Karajan | F♯ Major | 3 | 2B | 174 BPM | ||
Puccini: Madama Butterfly, Act 2: "Oh eh! Oh eh! Oh eh!" (Coro) | Giacomo Puccini, Sir John Barbirolli, Coro Del Teatro Dell'Opera Di Roma, Orchestra Del Teatro Dell'Opera Di Roma | F♯ Minor | 2 | 11A | 88 BPM | ||
Il barbiere di Siviglia / Act 1: No.6 Aria: "La calunnia è un venticello" | Gioachino Rossini, Nicolai Ghiaurov, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso | C Major | 2 | 8B | 81 BPM | ||
Madama Butterfly / Act 2: Scuoti quella fronda di ciliegio | Giacomo Puccini, Mirella Freni, Christa Ludwig, Wiener Philharmoniker, Herbert von Karajan | D♭ Major | 1 | 3B | 181 BPM | ||
Norma / Act 1: Norma viene | Vincenzo Bellini, Welsh National Opera Chorus, Welsh National Opera Orchestra, Richard Bonynge | E♭ Major | 3 | 5B | 79 BPM | ||
La Cenerentola / Act 1: "Un tantin di carità" | Gioachino Rossini, Michele Pertusi, Fernanda Costa, Gloria Banditelli, Cecilia Bartoli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | C Minor | 1 | 5A | 61 BPM | ||
Puccini: Madama Butterfly, Act 2: "Tu, Suzuki, che sei tanto buona" (Butterfly, Suzuki, Sharpless, Kate) | Giacomo Puccini, Sir John Barbirolli, Anna Di Stasio, Renata Scotto, Rolando Panerai, Silvana Padoan, Orchestra Del Teatro Dell'Opera Di Roma | B Minor | 2 | 10A | 83 BPM |
Section: 0.5964686870574951
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