Puccini: Madama Butterfly, Act 2: "Tu, Suzuki, che sei tanto buona" (Butterfly, Suzuki, Sharpless, Kate)
Giacomo Puccini, Sir John Barbirolli, Anna Di Stasio, Renata Scotto, Rolando Panerai, Silvana Padoan, Orchestra Del Teatro Dell'Opera Di Roma
Puccini: Madama Butterfly
4:36 January 1, 1967
BPM
83
Key
B Minor
Camelot
10A

Embed

Share Link

Puccini: Madama Butterfly, Act 2: "Tu, Suzuki, che sei tanto buona" (Butterfly, Suzuki, Sharpless, Kate) - Giacomo Puccini, Sir John Barbirolli, Anna Di Stasio, Renata Scotto, Rolando Panerai, Silvana Padoan, Orchestra Del Teatro Dell'Opera Di Roma Information

Acousticness
95%
Danceability
28%
Energy
24%
Instrumentalness
1%
Liveness
7%
Loudness
81%
Speechiness
4%
Valence
4%
Popularity
Loudness
-11.452 dB

Summary

"Puccini: Madama Butterfly, Act 2: "Tu, Suzuki, che sei tanto buona" (Butterfly, Suzuki, Sharpless, Kate)" by Giacomo Puccini, Sir John Barbirolli, Anna Di Stasio, Renata Scotto, Rolando Panerai, Silvana Padoan, Orchestra Del Teatro Dell'Opera Di Roma was released on January 1, 1967. With this song being about 5 minutes long, at 4:36, "Puccini: Madama Butterfly, Act 2: "Tu, Suzuki, che sei tanto buona" (Butterfly, Suzuki, Sharpless, Kate)" by Giacomo Puccini, Sir John Barbirolli, Anna Di Stasio, Renata Scotto, Rolando Panerai, Silvana Padoan, Orchestra Del Teatro Dell'Opera Di Roma is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 43 in the song's album "Puccini: Madama Butterfly". In this album, this song's track order is #41. Furthermore, we believe that the track originated from United Kingdom. Puccini: Madama Butterfly, Act 2: "Tu, Suzuki, che sei tanto buona" (Butterfly, Suzuki, Sharpless, Kate) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Puccini: Madama Butterfly, Act 2: "Tu, Suzuki, che sei tanto buona" (Butterfly, Suzuki, Sharpless, Kate) BPM

With Puccini: Madama Butterfly, Act 2: "Tu, Suzuki, che sei tanto buona" (Butterfly, Suzuki, Sharpless, Kate) by Giacomo Puccini, Sir John Barbirolli, Anna Di Stasio, Renata Scotto, Rolando Panerai, Silvana Padoan, Orchestra Del Teatro Dell'Opera Di Roma having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Puccini: Madama Butterfly, Act 2: "Tu, Suzuki, che sei tanto buona" (Butterfly, Suzuki, Sharpless, Kate) Key

This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Orfeo ed Euridice (Orphée et Euridice), Wq. 30 / Act 3: Orfeo ed Euridice (Orphée et Euridice), Wq. 30 / Act 3: "Che farò senza Euridice?"Christoph Willibald Gluck, Janet Baker, English Chamber Orchestra, Raymond LeppardD Major110B96 BPM
Core 'ngrato (Arr. Chiaramello) by Salvatore Cardillo, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Giancarlo ChiaramelloCore 'ngrato (Arr. Chiaramello)Salvatore Cardillo, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Giancarlo ChiaramelloE♭ Major35B84 BPM
The Bartered Bride, Act I Scene V: Introduction. Polka by Bedřich Smetana, Sir Charles Mackerras, Philharmonic Orchestra, The Royal Opera ChorusThe Bartered Bride, Act I Scene V: Introduction. PolkaBedřich Smetana, Sir Charles Mackerras, Philharmonic Orchestra, The Royal Opera ChorusC Major38B103 BPM
Don Giovanni, K. 527: Là ci darem la mano by Wolfgang Amadeus Mozart, Teresa Berganza, Ruggero Raimondi, Lorin MaazelDon Giovanni, K. 527: Là ci darem la manoWolfgang Amadeus Mozart, Teresa Berganza, Ruggero Raimondi, Lorin MaazelA Major111B93 BPM
Vocalise, Op. 34, No. 14 - Remastered by Sergei Rachmaninoff, Anna Moffo, Leopold Stokowski, American Symphony OrchestraVocalise, Op. 34, No. 14 - RemasteredSergei Rachmaninoff, Anna Moffo, Leopold Stokowski, American Symphony OrchestraD Major110B100 BPM
Sono andati? (Mimì/Rodolfo) - 1997 Remastered Version by Giacomo Puccini, Maria Callas, Giuseppe Di Stefano, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di MilanSono andati? (Mimì/Rodolfo) - 1997 Remastered VersionGiacomo Puccini, Maria Callas, Giuseppe Di Stefano, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di MilanA♭ Major04B173 BPM
Blumenduett - Lakmé by Léo Delibes, Alain Lombard, Danielle Millet, Mady Mesple, Orchestre Du Theatre National De L'Opera ComiqueBlumenduett - LakméLéo Delibes, Alain Lombard, Danielle Millet, Mady Mesple, Orchestre Du Theatre National De L'Opera ComiqueB Major11B130 BPM
Tosca, Act 2: Tosca, Act 2: "vissi D'arte"Birgit NilssonA Major111B66 BPM
Norma / Act 1: Casta Diva by Vincenzo Bellini, Dame Joan Sutherland, Samuel Ramey, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard BonyngeNorma / Act 1: Casta DivaVincenzo Bellini, Dame Joan Sutherland, Samuel Ramey, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard BonyngeF Major17B67 BPM
O Mio Babbino Caro by Giacomo Puccini, Kiri Te Kanawa, London Philharmonic Orchestra, Sir John PritchardO Mio Babbino CaroGiacomo Puccini, Kiri Te Kanawa, London Philharmonic Orchestra, Sir John PritchardA♭ Major14B112 BPM
ISRC
GBAYC0201571
Label
L-M Records/RCA Records

Section: 0.7264704704284668

End: 0.7302796840667725