"Puccini: Madama Butterfly, Act 2: "Tu, Suzuki, che sei tanto buona" (Butterfly, Suzuki, Sharpless, Kate)" by Giacomo Puccini, Sir John Barbirolli, Anna Di Stasio, Renata Scotto, Rolando Panerai, Silvana Padoan, Orchestra Del Teatro Dell'Opera Di Roma was released on January 1, 1967. With this song being about 5 minutes long, at 4:36, "Puccini: Madama Butterfly, Act 2: "Tu, Suzuki, che sei tanto buona" (Butterfly, Suzuki, Sharpless, Kate)" by Giacomo Puccini, Sir John Barbirolli, Anna Di Stasio, Renata Scotto, Rolando Panerai, Silvana Padoan, Orchestra Del Teatro Dell'Opera Di Roma is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 43 in the song's album "Puccini: Madama Butterfly". In this album, this song's track order is #41. Furthermore, we believe that the track originated from United Kingdom. Puccini: Madama Butterfly, Act 2: "Tu, Suzuki, che sei tanto buona" (Butterfly, Suzuki, Sharpless, Kate) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Puccini: Madama Butterfly, Act 2: "Tu, Suzuki, che sei tanto buona" (Butterfly, Suzuki, Sharpless, Kate) by Giacomo Puccini, Sir John Barbirolli, Anna Di Stasio, Renata Scotto, Rolando Panerai, Silvana Padoan, Orchestra Del Teatro Dell'Opera Di Roma having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orfeo ed Euridice (Orphée et Euridice), Wq. 30 / Act 3: "Che farò senza Euridice?" | Christoph Willibald Gluck, Janet Baker, English Chamber Orchestra, Raymond Leppard | D Major | 1 | 10B | 96 BPM | ||
Core 'ngrato (Arr. Chiaramello) | Salvatore Cardillo, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Giancarlo Chiaramello | E♭ Major | 3 | 5B | 84 BPM | ||
The Bartered Bride, Act I Scene V: Introduction. Polka | Bedřich Smetana, Sir Charles Mackerras, Philharmonic Orchestra, The Royal Opera Chorus | C Major | 3 | 8B | 103 BPM | ||
Don Giovanni, K. 527: Là ci darem la mano | Wolfgang Amadeus Mozart, Teresa Berganza, Ruggero Raimondi, Lorin Maazel | A Major | 1 | 11B | 93 BPM | ||
Vocalise, Op. 34, No. 14 - Remastered | Sergei Rachmaninoff, Anna Moffo, Leopold Stokowski, American Symphony Orchestra | D Major | 1 | 10B | 100 BPM | ||
Sono andati? (Mimì/Rodolfo) - 1997 Remastered Version | Giacomo Puccini, Maria Callas, Giuseppe Di Stefano, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan | A♭ Major | 0 | 4B | 173 BPM | ||
Blumenduett - Lakmé | Léo Delibes, Alain Lombard, Danielle Millet, Mady Mesple, Orchestre Du Theatre National De L'Opera Comique | B Major | 1 | 1B | 130 BPM | ||
Tosca, Act 2: "vissi D'arte" | Birgit Nilsson | A Major | 1 | 11B | 66 BPM | ||
Norma / Act 1: Casta Diva | Vincenzo Bellini, Dame Joan Sutherland, Samuel Ramey, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge | F Major | 1 | 7B | 67 BPM | ||
O Mio Babbino Caro | Giacomo Puccini, Kiri Te Kanawa, London Philharmonic Orchestra, Sir John Pritchard | A♭ Major | 1 | 4B | 112 BPM |
Section: 0.7264704704284668
End: 0.7302796840667725