"The Eternal Road: Act I, The Patriarchs, Scene 7: Jacob and the Angel" by Kurt Weill, Sigurd Brauns, Ted Christopher, Ian DeNolfo, Karl Dent, Constance Hauman, James Maddalena, Barbara Rearick, Vale Rideout, Manfred Roost, Hanna Wollschlager, Ernst Senff Choir, Rundfunk-Kinderchor Berlin, Berlin Radio Symphony Orchestra, Gerard Schwarz was released on September 25, 2003. The duration of The Eternal Road: Act I, The Patriarchs, Scene 7: Jacob and the Angel is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. The Eternal Road: Act I, The Patriarchs, Scene 7: Jacob and the Angel's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Weill: Eternal Road (The) (Highlights) by Kurt Weill, Gerard Schwarz. The song's track number on the album is #2 out of 16 tracks. Based on our statistics, The Eternal Road: Act I, The Patriarchs, Scene 7: Jacob and the Angel's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since The Eternal Road: Act I, The Patriarchs, Scene 7: Jacob and the Angel by Kurt Weill, Sigurd Brauns, Ted Christopher, Ian DeNolfo, Karl Dent, Constance Hauman, James Maddalena, Barbara Rearick, Vale Rideout, Manfred Roost, Hanna Wollschlager, Ernst Senff Choir, Rundfunk-Kinderchor Berlin, Berlin Radio Symphony Orchestra, Gerard Schwarz has a tempo of 132 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With The Eternal Road: Act I, The Patriarchs, Scene 7: Jacob and the Angel being at 132 BPM, the half-time would be 66 BPM with a double-time of 264 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vier letzte Lieder, TrV 296: 3. Beim Schlafengehen | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | D♭ Major | 1 | 3B | 82 BPM | ||
Cantus arcticus, Op. 61, "Concerto for Birds and Orchestra": III. Joutsenet muuttavat (Swans Migrating) | Einojuhani Rautavaara, Royal Scottish National Orchestra, Hannu Lintu | D♭ Major | 3 | 3B | 85 BPM | ||
Carmen: Prelude - les Toreadors - Habanera - Danse Boheme - Chanson du Toreador | Georges Bizet, tenThing | D Minor | 2 | 7A | 148 BPM | ||
Dvořák: Rusalka, Op. 114, B. 203, Act 1: "Mesicku na nebi hlubokém" (Rusalka) | Antonín Dvořák, Lucia Popp, Stefan Soltesz, Munich Radio Orchestra | F♯ Major | 1 | 2B | 96 BPM | ||
Vier letzte Lieder, TrV 296: 2. September | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | D Major | 1 | 10B | 153 BPM | ||
Offenbach: Les Contes d'Hoffmann, Act 4: "Belle nuit, ô nuit d'amour" (Barcarolle) [Nicklausse, Giulietta, Chorus] | Jacques Offenbach, Sylvain Cambreling, Ann Murray, Jessye Norman, Orchestre De L'Opéra National Du Théatre Royal De La Monnaie, Bruxelles | D Major | 1 | 10B | 81 BPM | ||
Tambourin in C Major | Jean-Marie Leclair, Patricia Kopatchinskaja, Sol Gabetta | C Minor | 2 | 5A | 144 BPM | ||
Life and Works: Rusalka (Act I: Song to the Moon) | Sean Barrett | F♯ Major | 0 | 2B | 126 BPM | ||
Madama Butterfly / Act 2: Coro a bocca chiusa (Humming Chorus) | Giacomo Puccini, Vienna State Opera Chorus, Wiener Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 78 BPM | ||
Mack The Knife - Remastered Album Version | Bertolt Brecht, Marc Blitzstein, Kurt Weill, Jerry Orbach | A Minor | 2 | 8A | 78 BPM |
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