"Shostakovich: Lady Macbeth of the Mtsensk District, Op. 29, Act 1 Scene 1: "Akh, nye spitsa bol'she, Poprobuyu" (Katerina)" by Dmitri Shostakovich, Mstislav Rostropovich, London Philharmonic Orchestra was released on 1979. The duration of Shostakovich: Lady Macbeth of the Mtsensk District, Op. 29, Act 1 Scene 1: "Akh, nye spitsa bol'she, Poprobuyu" (Katerina) is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Shostakovich: Lady Macbeth of the Mtsensk District, Op. 29, Act 1 Scene 1: "Akh, nye spitsa bol'she, Poprobuyu" (Katerina)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 53 in the song's album "Shostakovich: Lady Macbeth of Mtsensk". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Shostakovich: Lady Macbeth of the Mtsensk District, Op. 29, Act 1 Scene 1: "Akh, nye spitsa bol'she, Poprobuyu" (Katerina) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Shostakovich: Lady Macbeth of the Mtsensk District, Op. 29, Act 1 Scene 1: "Akh, nye spitsa bol'she, Poprobuyu" (Katerina) by Dmitri Shostakovich, Mstislav Rostropovich, London Philharmonic Orchestra having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dido and Aeneas, Z. 626 / Act III: "When I Am Laid in Earth" Dido's Lamento (Arr. by Mathieu Herzog for Cello and Strings) | Henry Purcell, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | G Minor | 1 | 6A | 77 BPM | ||
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Minor | 0 | 7A | 117 BPM | ||
Love's Labour's Lost, Op. 28a: III. Dumaine's Poem | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | G Minor | 1 | 6A | 105 BPM | ||
Pictures at an Exhibition (Orch. Ravel): X. The Great Gate of Kiev | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E♭ Major | 2 | 5B | 69 BPM | ||
"Sophia Perovskaya", Op.132 - music from the film: Waltz | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | D♭ Major | 0 | 3B | 172 BPM | ||
2 Aquarelles: No. 1. Lento, ma non troppo | Frederick Delius, Eric Fenby, English Chamber Orchestra, Julian Lloyd Webber | B♭ Major | 1 | 6B | 88 BPM | ||
String Quartet No. 2 in D Major: I. Allegro moderato | Alexander Borodin, Budapest Haydn Quartet | D Major | 1 | 10B | 75 BPM | ||
Symphony No. 40 in G Minor, K. 550: I. Molto allegro | Wolfgang Amadeus Mozart, Riccardo Minasi, Ensemble Resonanz | G Minor | 3 | 6A | 119 BPM | ||
6 Impromptus, Op. 5: Impromptu VI | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 62 BPM |
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