Joaquín Rodrigo, Sharon Isbin, José Serebrier, New York Philharmonic made "Rodrigo: Concierto de Aranjuez: III. Allegro gentile" available on November 5, 2004. With this song being about 5 minutes long, at 5:16, "Rodrigo: Concierto de Aranjuez: III. Allegro gentile" by Joaquín Rodrigo, Sharon Isbin, José Serebrier, New York Philharmonic is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 9 in the song's album "Rodrigo, Villa-Lobos & Ponce : Guitar Concertos". In this album, this song's track order is #3. Based on our statistics, Rodrigo: Concierto de Aranjuez: III. Allegro gentile's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Rodrigo: Concierto de Aranjuez: III. Allegro gentile by Joaquín Rodrigo, Sharon Isbin, José Serebrier, New York Philharmonic having a BPM of 153 with a half-time of 76 BPM and a double-time of 306 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lieder ohne Worte (Songs without Words), Book 1, Op. 19b: Lied ohne Worte (Song without Words) No. 6 in G Minor, Op. 19, No. 6, "Venezianisches Gondellied" (Venetian Gondola Song) | Felix Mendelssohn, Péter Nagy | G Minor | 0 | 6A | 72 BPM | ||
Mélodie, Op. 20, No. 1 | Alexander Glazunov, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 84 BPM | ||
Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) | Jacques Offenbach, Staatskapelle Dresden, Silvio Varviso | D Major | 0 | 10B | 121 BPM | ||
Fantasia para un Gentilhombre: IV. Allegro con brio | Joaquín Rodrigo, Dale Kavanagh, Staatsphilharmonie Arad, Horst Bäcker | C Major | 2 | 8B | 118 BPM | ||
Cavatina | Stanley Myers, Göran Söllscher | E Major | 0 | 12B | 82 BPM | ||
Deux Arabesques, L. 66: Arabesque No. 1 in E Major | Claude Debussy, Xavier De Maistre | F Minor | 0 | 4A | 97 BPM | ||
Les Contes d'Hoffmann / Act III: Barcarolle (Arr. for Violin, Cello, Piano and String Ensemble by Aleksandar Sedlar) | Jacques Offenbach, Nemanja Radulović, Camille Thomas, Double Sens | D Major | 0 | 10B | 73 BPM | ||
Florida Suite: By the River | Frederick Delius, English Northern Philharmonia, David Lloyd-Jones | E♭ Major | 1 | 5B | 133 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in F-Sharp Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | G Minor | 1 | 6A | 83 BPM | ||
From Jewish Life: I. Prayer (arr. for cello and orchestra) | Anonymous, Ernest Bloch, Harriet Krijgh, Deutsche Staatsphilharmonie Rheinland-Pfalz, Gustavo Gimeno | F Minor | 1 | 4A | 90 BPM |
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