"Winterreise, D. 911: Winterreise, D. 911: Der Lindenbaum" by Franz Schubert, Matthias Goerne, Christoph Eschenbach was released on November 3, 2014. With this song being about 5 minutes long, at 5:19, "Winterreise, D. 911: Winterreise, D. 911: Der Lindenbaum" by Franz Schubert, Matthias Goerne, Christoph Eschenbach is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 24 in the song's album "Schubert: Winterreise D. 911". In this album, this song's track order is #5. The popularity of Winterreise, D. 911: Winterreise, D. 911: Der Lindenbaum is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Winterreise, D. 911: Winterreise, D. 911: Der Lindenbaum by Franz Schubert, Matthias Goerne, Christoph Eschenbach having a BPM of 175 with a half-time of 88 BPM and a double-time of 350 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Debussy: Piano Trio in G Major, CD 5, L. 3: III. Andante espressivo | Claude Debussy, Bertrand Chamayou, Edgar Moreau, Renaud Capuçon | C Major | 1 | 8B | 84 BPM | ||
Fauré: Super flumina Babylonis | Gabriel Fauré, Paavo Järvi, Choeur de l'Orchestre de Paris, Laetitia Singleton, Maria Virginia Savastano, Mathias Vidal, Ugo Rabec, Orchestre de Paris | A Minor | 1 | 8A | 115 BPM | ||
Ein deutsches Requiem, Op.45: 5. Solo (Sopran) und Chor: "Ihr habt nun Traurigkeit" | Johannes Brahms, Barbara Hendricks, Rudolf Scholz, Wiener Philharmoniker, Herbert von Karajan, Wiener Singverein | G Major | 0 | 9B | 92 BPM | ||
Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 1 | 9B | 144 BPM | ||
Ciganské melodie, Op. 55, B. 104 - Arr. by Jiri Teml: IV. Kdyz mne stara matka | Antonín Dvořák, Anna Netrebko, PKF – Prague Philharmonia, Emmanuel Villaume | G Minor | 2 | 6A | 115 BPM | ||
Die Schöpfung (The Creation), H. 21/2: III Sequentia: Dies Irae | Nikolaus Harnoncourt | D♭ Major | 1 | 3B | 75 BPM | ||
Das Verlassene Mägdlein | Hugo Wolf, Barbara Hendricks | A Minor | 0 | 8A | 70 BPM | ||
Die tote Stadt (The Dead City), Op. 12: Act I Scene 5: Gluck, das mir verblieb (Marietta, Paul) | Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | B♭ Major | 1 | 6B | 83 BPM | ||
Auf dem Strom, D. 943 | Franz Schubert, Michael Volle, Sjön Scott, Ulrich Eisenlohr | A Minor | 1 | 8A | 116 BPM | ||
Rinaldo, HWV 7b: Act II Scene 4: Aria: Lascia ch’io pianga (Almirena) | George Frideric Handel, Marion Newman, Laura Whalen, Kimberley Barber, Jennifer Ens Modolo, Sean Watson, Barbara Hannigan, Giles Tomkins, Nicole Bower, Catherine Affleck, Melinda Delorme, Lenard Whiting, Opera in Concert, Aradia Ensemble, Kevin Mallon | D Minor | 5 | 7A | 155 BPM |
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