- BPM
- 82
- Key
- C Minor
- Camelot
- 5A
Der fliegende Holländer, WWV 63 / Act I: "Die Frist ist um" - "Ew'ge Vernichtung, nimm uns auf" - Richard Wagner, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado Information
- Acousticness
- 92%
- Danceability
- 21%
- Energy
- 19%
- Instrumentalness
- 0%
- Liveness
- 12%
- Loudness
- 62%
- Speechiness
- 6%
- Valence
- 12%
- Popularity
- 9%
- Loudness
- -22.582 dB
Summary
"Der fliegende Holländer, WWV 63 / Act I: "Die Frist ist um" - "Ew'ge Vernichtung, nimm uns auf"" by Richard Wagner, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado was released on January 1, 2002. Der fliegende Holländer, WWV 63 / Act I: "Die Frist ist um" - "Ew'ge Vernichtung, nimm uns auf" appears to be safe for all ages as it is not explicit. This song is part of Wagner: Opera Arias by Richard Wagner, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado. The song's track number on the album is #2 out of 8 tracks. Based on our data, Germany was the country where this track was produced or recorded. Der fliegende Holländer, WWV 63 / Act I: "Die Frist ist um" - "Ew'ge Vernichtung, nimm uns auf" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Der fliegende Holländer, WWV 63 / Act I: "Die Frist ist um" - "Ew'ge Vernichtung, nimm uns auf" BPM
Since Der fliegende Holländer, WWV 63 / Act I: "Die Frist ist um" - "Ew'ge Vernichtung, nimm uns auf" by Richard Wagner, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado has a tempo of 82 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Der fliegende Holländer, WWV 63 / Act I: "Die Frist ist um" - "Ew'ge Vernichtung, nimm uns auf" being at 82 BPM, the half-time would be 41 BPM with a double-time of 164 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
Der fliegende Holländer, WWV 63 / Act I: "Die Frist ist um" - "Ew'ge Vernichtung, nimm uns auf" Key
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Norma / Act 1: Norma viene | Vincenzo Bellini, Welsh National Opera Chorus, Welsh National Opera Orchestra, Richard Bonynge | E♭ Major | 3 | 5B | 79 BPM | |
 | Salome, Op. 54 / Scene 2: "Siehe, der Herr ist gekommen" | Richard Strauss, Cheryl Studer, Aimée Willis, Marianne Rorholm, Clemens Bieber, Bryn Terfel, Bengt Rundgren, William Murray, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | D Major | 1 | 10B | 104 BPM | |
 | Eine Alpensinfonie, Op. 64, TrV 233: XXI. Ausklang | Richard Strauss, David Bell, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 1 | 5B | 63 BPM | |
 | Gaîté parisienne: Polka (II) | Jacques Offenbach, Berliner Philharmoniker, Herbert von Karajan | G Major | 3 | 9B | 163 BPM | |
 | Das Rheingold, WWV 86A / Vierte Szene: "He da! He da! He do! Zu mir, du Gedüft!" | Richard Wagner, Robert Kerns, Berliner Philharmoniker, Herbert von Karajan | F Major | 2 | 7B | 97 BPM | |
 | Pelléas et Mélisande, L.88 / Act 3: "Mes longs cheveux descendent" | Claude Debussy, Francois Le Roux, Maria Ewing, Wiener Philharmoniker, Claudio Abbado | A Minor | 1 | 8A | 123 BPM | |
 | Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: Jetzt, Alter, hat es Eile! | Ludwig van Beethoven, Falk Struckmann, Christof Fischesser, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | E Minor | 7 | 9A | 98 BPM | |
 | Kindertotenlieder: IV. Oft denk' ich, sie sind nur ausgegangen | Gustav Mahler, Dietrich Fischer-Dieskau, Berliner Philharmoniker, Karl Böhm | E♭ Major | 2 | 5B | 91 BPM | |
 | Tosca / Act II: Nel pozzo del giardino! Va, Spoletta! | Giacomo Puccini, Katia Ricciarelli, José Carreras, Ruggero Raimondi, Victor von Halem, Berliner Philharmoniker, Herbert von Karajan | F Minor | 2 | 4A | 64 BPM | |
| Pelléas et Mélisande, L. 88 / Act I: "Qu'en dites-vous?" | Claude Debussy, Francois Le Roux, Christa Ludwig, Jean-Philippe Courtis, Wiener Philharmoniker, Claudio Abbado | F♯ Major | 3 | 2B | 83 BPM |
- ISRC
- DEN960001072
- Label
- L-M Records/RCA Records
Section: 0.6303439140319824
End: 0.6396219730377197