Arrigo Boito, Riccardo Muti's 'Mefistofele: Act I - Olà! Chi urla?' came out on 1996. The duration of Mefistofele: Act I - Olà! Chi urla? is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Mefistofele: Act I - Olà! Chi urla?'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 34 in Boito: Mefistofele by Arrigo Boito, Riccardo Muti. Mefistofele: Act I - Olà! Chi urla? is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mefistofele: Act I - Olà! Chi urla? by Arrigo Boito, Riccardo Muti is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3. For the merriest fellows are we | Arthur Sullivan, Michael Wakeham, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | C Major | 1 | 8B | 88 BPM | ||
Don Giovanni, K. 527: Mi tradì quell'alma ingrata | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Lorin Maazel | B♭ Major | 1 | 6B | 112 BPM | ||
La Boheme, dritter Akt: Dunque e proprio finita | Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli | F♯ Minor | 5 | 11A | 62 BPM | ||
Don Giovanni, K.527, Act II: Aria. "Mi tradì quest"alma ingrata" | Wolfgang Amadeus Mozart, Golda Schultz, Kammerakademie Potsdam, Antonello Manacorda | G Major | 3 | 9B | 123 BPM | ||
La Africana: "O paradiso" | Mario del Monaco | D♭ Major | 2 | 3B | 93 BPM | ||
La Boheme, vierter Akt: Sono andati fingevo di dormire | Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli | F♯ Minor | 5 | 11A | 62 BPM | ||
Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | F♯ Minor | 2 | 11A | 156 BPM | ||
Humperdinck : Hänsel und Gretel : Act 3 "Wo bin ich? Wach' ich?" [Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | E♭ Major | 0 | 5B | 91 BPM | ||
Carmen (Act I, Sequedille) | Agnes Baltsa | D Major | 2 | 10B | 112 BPM | ||
Les Contes d'Hoffmann / Prologue: Allons, allons mes enfants! Préparez cette salle | Jacques Offenbach, Pedro Di Proenza, Paul Guigue, Roland Jacques, Choeur de la Radio Suisse Romande, Pro Arte Choir, Lausanne, Choeur Du Brassus, L'Orchestre de la Suisse Romande, Richard Bonynge | C Major | 3 | 8B | 136 BPM |
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