"Concierto de Aranjuez for Guitar and Orchestra: 2. Adagio" by Joaquín Rodrigo, Alexandre Lagoya, Orchestre National de l'Opéra de Monte-Carlo, Antonio de Almeida was released on January 1, 1998. The duration of Concierto de Aranjuez for Guitar and Orchestra: 2. Adagio is about 3 minutes long, at 3:10. Based on our data, "Concierto de Aranjuez for Guitar and Orchestra: 2. Adagio" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in 100 Classical Favourites, so we believe that "Concierto de Aranjuez for Guitar and Orchestra: 2. Adagio" is a single. Based on our statistics, Concierto de Aranjuez for Guitar and Orchestra: 2. Adagio's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Concierto de Aranjuez for Guitar and Orchestra: 2. Adagio by Joaquín Rodrigo, Alexandre Lagoya, Orchestre National de l'Opéra de Monte-Carlo, Antonio de Almeida is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gaite Parisienne (after J. Offenbach): 2. Polka | Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra | E♭ Major | 1 | 5B | 149 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": Theme (Andante) | Edward Elgar, Philharmonia Orchestra, Giuseppe Sinopoli | G Major | 0 | 9B | 92 BPM | ||
Jenkins: Palladio | Karl Jenkins, Camille Berthollet, Julien Masmondet, Monte-Carlo Philharmonic Orchestra | D Minor | 3 | 7A | 95 BPM | ||
Waltz No.6 in D Flat, Op.64 No.1 -"Minute Waltz" | Frédéric Chopin, Nikita Magaloff | D♭ Major | 1 | 3B | 79 BPM | ||
2 Pieces from Kuolema, Op. 44: No. 1, Valse triste | Jean Sibelius, Eugene Ormandy, Philadelphia Orchestra | A♭ Major | 3 | 4B | 82 BPM | ||
4 Romantic Pieces, Op. 75, B.150: 1. Allegro moderato | Antonín Dvořák, Akiko Suwanai, Boris Berezovsky | D♭ Major | 0 | 3B | 74 BPM | ||
Spartacus: Adagio (arr. J. Galway for flute and piano) | James Galway, Aram Khachaturian, Kenneth Smith, Paul Rhodes | A♭ Major | 1 | 4B | 65 BPM | ||
Kol Nidrei, Op. 47 | Max Bruch, Alberto Lizzio, Philharmonia Slavonica | D Major | 1 | 10B | 92 BPM | ||
Jacques Offenbach: Les contes d'Hoffmann - Bacarolle | Jacques Offenbach, Orchestre national des Pays de la Loire, Hubert Soudant, David Grimal | D Major | 0 | 10B | 132 BPM | ||
Danzas españolas, Op.37 - Transcr. for two guitars A. Lagoya: No. 2 Oriental | Enrique Granados, Alexandre Lagoya, Ida Presti | A Minor | 0 | 8A | 118 BPM |
Section: 0.6283178329467773
End: 0.6340672969818115