Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra made "Gaite Parisienne (after J. Offenbach): 2. Polka" available on July 8, 1999. With Gaite Parisienne (after J. Offenbach): 2. Polka being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 28 in the song's album "Offenbach / Rosenthal: Gaite Parisienne / Offenbachiana". In this album, this song's track order is #3. Based on our statistics, Gaite Parisienne (after J. Offenbach): 2. Polka's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Gaite Parisienne (after J. Offenbach): 2. Polka by Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra having a BPM of 149 with a half-time of 74 BPM and a double-time of 298 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Italian Polka | Sergei Rachmaninoff, Jan Valta, Philharmonic Wind Orchestra, Marc Reift | F Minor | 7 | 4A | 154 BPM | ||
Samson et Dalila, Op. 47, R. 288 / Act 3: Bacchanale | Camille Saint-Saëns, Orchestre de Paris, Daniel Barenboim | B Major | 3 | 1B | 94 BPM | ||
Chansons du monsieur Bleu: X. Le vieux chameau du Zoo | Manuel Rosenthal, Patricia Petibon, Susan Manoff, Francois Verly | E Major | 2 | 12B | 82 BPM | ||
Trois Petites Pièces montées: 1. De l'enfance de Pantagruel (Réverie) | Erik Satie, Orchestre National De France, Manuel Rosenthal | F Major | 0 | 7B | 61 BPM | ||
Mussorgsky: Pictures at an Exhibition: No. 15, The Knight's Gate in the Old Capital of Kiev | Modest Mussorgsky, Sir Simon Rattle, Berliner Philharmoniker | E♭ Major | 2 | 5B | 85 BPM | ||
Hungarian Dance No.6 In D Flat | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | D Major | 2 | 10B | 153 BPM | ||
Huit Bagatelles: Pastorale | Manuel Rosenthal, Stephane Lemelin | A Major | 1 | 11B | 115 BPM | ||
L'enfance De Ravel | Maurice Ravel, Marie-Christine Barrault, Jean Pierre Denys, Jp Leroux, Orchestre National De L'Opera De Paris, Manuel Rosenthal, Jacques Février | B Minor | 2 | 10A | 59 BPM | ||
Daphnis et Chloé, M. 57 / Troisième partie: Lever du jour | Maurice Ravel, Manuel Rosenthal, Orchestre Théâtre National De L'Opéra De Paris, Rene Alix, Chœurs de la Radiodiffusion-Télévision Française | A♭ Major | 2 | 4B | 98 BPM | ||
Valse triste, Op. 44 | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | D♭ Major | 0 | 3B | 67 BPM |
Section: 0.664642333984375
End: 0.6710646152496338