"Danzas españolas, Op.37 - Transcr. for two guitars A. Lagoya: No. 2 Oriental" by Enrique Granados, Alexandre Lagoya, Ida Presti was released on January 1, 2006. With this song being about 5 minutes long, at 5:22, "Danzas españolas, Op.37 - Transcr. for two guitars A. Lagoya: No. 2 Oriental" by Enrique Granados, Alexandre Lagoya, Ida Presti is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Ida Presti, Alexandre Lagoya's "L'Extraordinaire Duo Presti-Lagoya" album is number 14 out of 17. In terms of popularity, Danzas españolas, Op.37 - Transcr. for two guitars A. Lagoya: No. 2 Oriental is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Danzas españolas, Op.37 - Transcr. for two guitars A. Lagoya: No. 2 Oriental by Enrique Granados, Alexandre Lagoya, Ida Presti to be Moderato (at a moderate speed) because the track has a tempo of 118 BPM, a half-time of 59BPM, and a double-time of 236 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | ||
Lose Blätter, Op. 13: No. 12, Choral | Max Reger, Markus Becker | D Major | 0 | 10B | 66 BPM | ||
Symphony for Flute, Oboe, Horn and Strings in D Major: II. Andantino | Domenico Cimarosa, Chopin Chamber Orchestra, Winston Dan Vogel | B♭ Major | 0 | 6B | 0 BPM | ||
Après un Rêve Op.7, No.1 | Gabriel Fauré, Jules Eskin, Boston Symphony Orchestra, Seiji Ozawa | F Minor | 1 | 4A | 96 BPM | ||
Album Leaf for Kateřina Kolářová in B Major, JB 1:20 | Bedřich Smetana, Jitka Čechová | B Major | 0 | 1B | 70 BPM | ||
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
Carnaval, Op. 9: XII. Chopin | Robert Schumann, Valentina Igoshina | B♭ Minor | 0 | 3A | 73 BPM | ||
Intermezzo in B-Flat Minor, Op. 117/2 | Johannes Brahms, Khatia Buniatishvili | D♭ Major | 0 | 3B | 67 BPM | ||
A Collection of Old Scots Tunes: Busk ye busk ye my bonny bride (Arr. by Söllscher) | Francesco Barsanti, Jian Wang, Göran Söllscher | D Major | 0 | 10B | 55 BPM | ||
8 Valses poéticos: III. Tempo di valse lente | Enrique Granados, Pablo Matías Becerra | D Major | 0 | 10B | 70 BPM |
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