"Lucia di Lammermoor, Scena V: "Oh giusto cielo!" - Scena ed Aria" by Sir Charles Mackerras, Hanover Band, London Voices, Andrea Rost was released on 2010. The duration of Lucia di Lammermoor, Scena V: "Oh giusto cielo!" - Scena ed Aria is about 3 minutes long, at 3:01. Based on our data, "Lucia di Lammermoor, Scena V: "Oh giusto cielo!" - Scena ed Aria" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Klaus Badelt's "L'immortel (Original Motion Picture Soundtrack)" album is number 21 out of 22. Lucia di Lammermoor, Scena V: "Oh giusto cielo!" - Scena ed Aria is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lucia di Lammermoor, Scena V: "Oh giusto cielo!" - Scena ed Aria by Sir Charles Mackerras, Hanover Band, London Voices, Andrea Rost to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Symphony in D Major, D. 13 "Non è bello quello che è bello mà quello che piace": III. Prestissimo | Leopold Mozart, Orchestra da Camera del Conservatorio di Mantova, Luca Bertazzi | D Major | 0 | 10B | 101 BPM | ||
Sonata No.6 in D Major, Op. 50: III. Larghetto | Joseph Bodin de Boismortier, Lucile Boulanger, Simon Pierre, Olivier Fortin | B♭ Minor | 3 | 3A | 94 BPM | ||
Mozart: Die Entfuhrung aus dem Serial: "Marten aller arten" | Wolfgang Amadeus Mozart, Sir Charles Mackerras, Hanover Band | G Major | 2 | 9B | 121 BPM | ||
Brandenburg Concerto No. 6 in B flat BWV1051: II. Adagio ma non tanto | Hanover Band, Anthony Halstead | D Major | 0 | 10B | 84 BPM | ||
交響曲 第41番 「ジュピター」 K.551~第3楽章 | リボル・ペシェック, Czech National Symphony Orchestra | G Major | 1 | 9B | 153 BPM | ||
Concerti Grossi, Op. 7: No. 6 in B-Flat Major, Op 7: VI. Adagio - Allegro moderato - Studio Recording | Francesco Geminiani, I Musici | B♭ Major | 2 | 6B | 114 BPM | ||
Les Eléments: X. Caprice | Jean-Féry Rebel, Akademie für Alte Musik Berlin, Georg Kallweit, Midori Seiler | D♭ Major | 3 | 3B | 76 BPM | ||
Violin Concerto in G Major, Op. 3, No. 9: III. Presto | Carlo Tessarini, Fabrizio Ammetto, Orfeo Ensemble, L' | D Major | 2 | 10B | 115 BPM | ||
Divertimento No. 1, Op. 20: IV. Verbunkos | Leó Weiner, Budapest Strings, Karoly Botvay | C Major | 0 | 8B | 107 BPM | ||
Spängler-Menuett VIII | Leopold Mozart, Bankhaus Spängler | F Major | 1 | 7B | 130 BPM |
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