"Brandenburg Concerto No. 6 in B flat BWV1051: II. Adagio ma non tanto" by Hanover Band, Anthony Halstead was released on July 19, 2004. With this song being about 5 minutes long, at 4:50, "Brandenburg Concerto No. 6 in B flat BWV1051: II. Adagio ma non tanto" by Hanover Band, Anthony Halstead is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Hanover Band, Anthony Halstead's "J. S. Bach: Brandenburg Concertos 1-6" album is number 8 out of 19. Brandenburg Concerto No. 6 in B flat BWV1051: II. Adagio ma non tanto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Brandenburg Concerto No. 6 in B flat BWV1051: II. Adagio ma non tanto by Hanover Band, Anthony Halstead to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'italiana in Londra: Overture: III. Presto | Domenico Cimarosa, Toronto Chamber Orchestra, Kevin Mallon | F Major | 2 | 7B | 87 BPM | ||
The Pirates of Penzance: Overture | Arthur Sullivan, Hanover Band, Tom Higgins | G Minor | 1 | 6A | 84 BPM | ||
Concerto For Cello No. 1 In C Major, Hob. VIIb:1: II. Adagio | Joseph Haydn, Cameron Crozman, Nicolas Ellis, Les Violons du Roy | A Major | 1 | 11B | 97 BPM | ||
No Heathen | Marc Ezenge | F Minor | 1 | 4A | 154 BPM | ||
Violin Concerto in G Major, Op. 2 No. 1: II. Largo | Joseph Boulogne Chevalier de Saint-Georges, Fumika Mohri, Czech Philharmonic Chamber Orchestra, Michael Halasz | C Major | 0 | 8B | 101 BPM | ||
Ode for St Cecilia's Day / Part 1: 3. Duet: Immortal Love, with Tuneful Lyres | William Boyce, William Purefoy, Richard Edgar-Wilson, Hanover Band, Graham Lea-Cox | D♭ Major | 2 | 3B | 56 BPM | ||
Sinfonia in F Major, Fk. 67: II. Andante | Wilhelm Friedemann Bach, Salzburg Chamber Philharmonic Orchestra, Yoon K. Lee | F♯ Major | 1 | 2B | 71 BPM | ||
Sinfonia concertante in F Major, Op. 38: III. Adagio | Franz Krommer, Orchestra della Svizzera Italiana, Howard Griffiths, Bruno Grossi, Marco Schiavon, Robert Kowalski | B♭ Major | 1 | 6B | 177 BPM | ||
Sinfonia Concertante in B-Flat Major, Hob.I:105: II. Andante | Joseph Haydn, Andrius Puskunigis, Michael Kaulartz, Woitek Garbowski, Pirkko Langer, Heidelberg Symphony Orchestra, Thomas Fey | F Major | 0 | 7B | 136 BPM | ||
Cello Concerto No. 1 in G Major: III. Rondo: Allegro | Carl Stamitz, Christian Benda, Prague Chamber Orchestra | G Major | 1 | 9B | 137 BPM |
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