"Ogelala Suite, Op. 53: I. Szene 'Kampf'" by Erwin Schulhoff, Borusan Istanbul Philharmonic Orchestra, Sascha Goetzel was released on January 9, 2012. With Ogelala Suite, Op. 53: I. Szene 'Kampf' being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 19 in the song's album "Prokofiev, Bartók, Schulhoff, Holst & Ravel: Music of the Machine Age". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Ogelala Suite, Op. 53: I. Szene 'Kampf''s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ogelala Suite, Op. 53: I. Szene 'Kampf' by Erwin Schulhoff, Borusan Istanbul Philharmonic Orchestra, Sascha Goetzel having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite for Three Cellos: II. Molto lento | Ferdinand Thieriot, Hamburg Chamber Players | D Minor | 1 | 7A | 105 BPM | ||
Concerto No. 2 pour violon et orchestre: II. Molto moderato | Pierre Wissmer, Oleg Kaskiv, Aleksandar Markovic, Sinfonia Varsovia | G Major | 0 | 9B | 76 BPM | ||
Oboe Sonata, FP 185: III. Déploration | Francis Poulenc, Alex Klein, Phillip Bush | A♭ Minor | 0 | 1A | 61 BPM | ||
El amor brujo (Love, the Magician): En la cueva: La noche (In the Cave: The Night) | Manuel de Falla, Alicia Nafé, Asturias Symphony Orchestra, Maximiano Valdes | A♭ Major | 0 | 4B | 89 BPM | ||
Phantasiestücke, Op. 88: No. 3, Duett (Arr. for Horn by Martin Owen) | Robert Schumann, Martin Owen, Francesca Dego, Alessandro Taverna | D Major | 0 | 10B | 95 BPM | ||
Octet for Two Clarinets, Harp, Two Violins, Viola, Cello and Double Bass: II. Adagio molto | Charles Martin Loeffler, Graeme Steele Johnson, David Shifrin, Bridget Kibbey, Stella Chen, Siwoo Kim, Matthew Lipman, Samuel DeCaprio, Sam Suggs | F Minor | 2 | 4A | 140 BPM | ||
Concert Phantasy on 'Le coq d'or': The Tsar's Dream | Nikolai Rimsky-Korsakov, Luka Faulisi | A♭ Major | 1 | 4B | 72 BPM | ||
Violin Concerto: II. | Frederick Delius, Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | A Minor | 1 | 8A | 91 BPM | ||
Serenade for Clarinet, Violin and Cello, Op. 93: III. Intermezzo. Andantino | Hans Gál, Kilian Herold, Florian Donderer, Tanja Tetzlaff | F♯ Minor | 0 | 11A | 99 BPM | ||
Preludio | Giuseppe Bruni, Fortibus Ensemble | B♭ Major | 0 | 6B | 168 BPM |
Section: 0.6851189136505127
End: 0.6889314651489258