"La damnation de Faust, Op. 24, H. 111 / Pt. III: "Merci, doux crépuscule!" - "Je l'entends!" (Faust / Méphistophélès, Faust)" by Hector Berlioz, Richard Verreau, Michel Roux, Orchestre Lamoureux, Igor Markevitch was released on 1960. With this song being about 5 minutes long, at 4:55, "La damnation de Faust, Op. 24, H. 111 / Pt. III: "Merci, doux crépuscule!" - "Je l'entends!" (Faust / Méphistophélès, Faust)" by Hector Berlioz, Richard Verreau, Michel Roux, Orchestre Lamoureux, Igor Markevitch is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 16 out of 30 in Berlioz: La Damnation de Faust (Igor Markevitch – The Deutsche Grammophon Legacy: Volume 10) by Hector Berlioz, Richard Verreau, Consuelo Rubio, Michel Roux, Pierre Mollet, Orchestre des Concerts Lamoureux, Igor Markevitch. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, La damnation de Faust, Op. 24, H. 111 / Pt. III: "Merci, doux crépuscule!" - "Je l'entends!" (Faust / Méphistophélès, Faust) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of La damnation de Faust, Op. 24, H. 111 / Pt. III: "Merci, doux crépuscule!" - "Je l'entends!" (Faust / Méphistophélès, Faust) by Hector Berlioz, Richard Verreau, Michel Roux, Orchestre Lamoureux, Igor Markevitch is Andante (at a walking pace), since this song has a tempo of 108 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | ||
Polovtsian Dances From Prince Igor: Dance Of The Polovtsian Maidens | Alexander Borodin, Berliner Philharmoniker, Herbert von Karajan | F Minor | 1 | 4A | 62 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 16 in F Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | F Major | 1 | 7B | 83 BPM | ||
Symphonie fantastique, Op. 14: II. Un bal | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | A Major | 1 | 11B | 107 BPM | ||
Enigma Variations: Variation IX. Nimrod - Adagio | Edward Elgar, Sir Colin Davis, London Symphony Orchestra | E♭ Major | 1 | 5B | 137 BPM | ||
Piano Concerto No.5 in F, Op.103 "Egyptian": 3. Molto allegro | Camille Saint-Saëns, Jean-Yves Thibaudet, Orchestre de la Suisse Romande, Charles Dutoit | C Major | 3 | 8B | 78 BPM | ||
Symphony No. 45 in F-Sharp Minor, Hob.I:45, "Farewell": I. Allegro assai | Franz Joseph Haydn, Capella Istropolitana, Barry Wordsworth | F♯ Minor | 2 | 11A | 156 BPM | ||
Pelléas et Mélisande, Op.80: 1. Prélude | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 1 | 9B | 134 BPM | ||
Symphonie Fantastique, Op.14, H 48: 5b. Songe d'une nuit du Sabbat - Dies irae | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | G Minor | 1 | 6A | 63 BPM | ||
Ein Heldenleben, Op. 40, TrV 190: Der Held (The Hero) - | Richard Strauss, Chicago Symphony Orchestra, Bernard Haitink | E♭ Major | 2 | 5B | 88 BPM |
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