"Othellos Tod, Otello (Othello, Oper in 4 Akten) (Auszug)" by Leo Slezak was released on May 5, 2010. With this song being around four minutes long, at 4:29, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Leo Slezak's "Musikalische Erinnerungen Zum 50.Todestag" album is number 16 out of 22. Othellos Tod, Otello (Othello, Oper in 4 Akten) (Auszug) is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Othellos Tod, Otello (Othello, Oper in 4 Akten) (Auszug) by Leo Slezak to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Herbstmanover: Auf der Heide bluh'n die letzten Rosen | Robert Stolz, Jupp Hussels, Leo Slezak, Studio Orchestra, Walter Schütze | E Major | 1 | 12B | 57 BPM | ||
La Traviata · Oper in 3 Akten · Arien und Szenen in deutscher Sprache (2001 - Remaster), Erster Akt: - Ihr Freunde, auf, schlürfet in vollen Zügen [Libiamo Ne' Lieti Calici] (Alfred, Violetta, Chor) | Francesco Maria Piave, Giuseppe Verdi, Melitta Muszely /Chor Der Deutschen Staatsoper/Orchester der Deutschen Staatsoper Berlin/Wilhelm Schüchter/Rudolf Schock, Wilhelm Schuechter, Wilhelm Schüchter, Orchester Der Deutschen Staatsoper Berlin | B♭ Major | 3 | 6B | 51 BPM | ||
The Mikado: Act I: Three little maids from school (Yum-Yum, Peep-Bo, Pitti-Sing, Chorus of Girls) | Isidore Godfrey | C Major | 2 | 8B | 122 BPM | ||
Gluck: Iphigénie en Tauride, Wq. 46, Act 2: "Ô malheureuse Iphigénie !" (Iphigénie, Chœur) | Christoph Willibald Gluck, Georges Prêtre, Choeur René Duclos, Rita Gorr, Orchestre De La Société Des Concerts Du Conservatoire | G Major | 2 | 9B | 67 BPM | ||
Sogno | Francesco Paolo Tosti, Olindo Guerrini, Franco Vassallo, Giulio Zappa | A♭ Major | 2 | 4B | 69 BPM | ||
Escena final - Primer acto, Pt. 3 | Ángeles Ottein, J.Ferre, A. Vela, O. Nieto | E Major | 3 | 12B | 146 BPM | ||
Las Golondrinas, Escena 2ª: "Caminar" | Coro del Gran Teatro Lírico de Bacelona, Carlo Galeffi | E♭ Major | 2 | 5B | 129 BPM | ||
Die Meistersinger von Nürnberg, WWV 96: "Morgenlich leuchtend" | Richard Wagner, Leo Slezak, Unknown Orchestra, Manfred Gurlitt | F Minor | 1 | 4A | 79 BPM | ||
Mignonne, WWV 57 (Arr. Fontanelli for Voice and Ensemble) | Richard Wagner, KammerMusikKöln, Kathrin Zukowski | E♭ Major | 1 | 5B | 69 BPM | ||
Die Entführung aus dem Serail, K. 384, Act II: Ach Belmonte! Ach, mein Leben! - Remastered 2024 | Wolfgang Amadeus Mozart, Wilma Lipp, Walther Ludwig, Peter Klein, Emmy Loose, Wiener Philharmoniker, Josef Krips | B♭ Major | 1 | 6B | 96 BPM |
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