Francesco Maria Piave, Giuseppe Verdi, Melitta Muszely /Chor Der Deutschen Staatsoper/Orchester der Deutschen Staatsoper Berlin/Wilhelm Schüchter/Rudolf Schock, Wilhelm Schuechter, Wilhelm Schüchter, Orchester Der Deutschen Staatsoper Berlin made "La Traviata · Oper in 3 Akten · Arien und Szenen in deutscher Sprache (2001 - Remaster), Erster Akt: - Ihr Freunde, auf, schlürfet in vollen Zügen [Libiamo Ne' Lieti Calici] (Alfred, Violetta, Chor)" available on December 7, 2012. The duration of La Traviata · Oper in 3 Akten · Arien und Szenen in deutscher Sprache (2001 - Remaster), Erster Akt: - Ihr Freunde, auf, schlürfet in vollen Zügen [Libiamo Ne' Lieti Calici] (Alfred, Violetta, Chor) is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. La Traviata · Oper in 3 Akten · Arien und Szenen in deutscher Sprache (2001 - Remaster), Erster Akt: - Ihr Freunde, auf, schlürfet in vollen Zügen [Libiamo Ne' Lieti Calici] (Alfred, Violetta, Chor)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Verdi auf Deutsch: La Traviata by Giuseppe Verdi, Francesco Maria Piave, Josef Metternich/Melitta Muszely. The song's track number on the album is #2 out of 25 tracks. La Traviata · Oper in 3 Akten · Arien und Szenen in deutscher Sprache (2001 - Remaster), Erster Akt: - Ihr Freunde, auf, schlürfet in vollen Zügen [Libiamo Ne' Lieti Calici] (Alfred, Violetta, Chor) is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since La Traviata · Oper in 3 Akten · Arien und Szenen in deutscher Sprache (2001 - Remaster), Erster Akt: - Ihr Freunde, auf, schlürfet in vollen Zügen [Libiamo Ne' Lieti Calici] (Alfred, Violetta, Chor) by Francesco Maria Piave, Giuseppe Verdi, Melitta Muszely /Chor Der Deutschen Staatsoper/Orchester der Deutschen Staatsoper Berlin/Wilhelm Schüchter/Rudolf Schock, Wilhelm Schuechter, Wilhelm Schüchter, Orchester Der Deutschen Staatsoper Berlin has a tempo of 51 beats per a minute, the tempo markings of this song would be Lento (slowly). With La Traviata · Oper in 3 Akten · Arien und Szenen in deutscher Sprache (2001 - Remaster), Erster Akt: - Ihr Freunde, auf, schlürfet in vollen Zügen [Libiamo Ne' Lieti Calici] (Alfred, Violetta, Chor) being at 51 BPM, the half-time would be 26 BPM with a double-time of 102 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Semiramide / Act 1: Alle più calde immagini | Gioachino Rossini, Dame Joan Sutherland, Marilyn Horne, London Symphony Orchestra, Richard Bonynge | E♭ Major | 2 | 5B | 86 BPM | ||
Rossini: La cenerentola, Act 2: "Nacqui all'affanno e al pianto.....Non più mesta" (Angelina) | Gioachino Rossini, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | E Major | 1 | 12B | 122 BPM | ||
La Vestale (1997 Digital Remaster): O nome tutelar | Tullio Serafin, Maria Callas, Orchestra Del Teatro Alla Scala, Milano | D Major | 1 | 10B | 86 BPM | ||
La Bohème / Act 1: "Che gelida manina" | Jonas Kaufmann, Giacomo Puccini, Prague Philharmonic Orchestra, Marco Armiliato | A♭ Major | 3 | 4B | 68 BPM | ||
Adriana Lecouvreur / Act 1: "Ecco: respiro appena ... Io son l'umile ancella" | Francesco Cilea, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | A♭ Major | 1 | 4B | 82 BPM | ||
Gnossienne No. 1 (Orch. Corp) | Erik Satie, Ronald Corp, New London Orchestra | D Major | 3 | 10B | 122 BPM | ||
Saint-Saëns: Samson et Dalila, Op. 47, Act 1: "Printemps qui commence" (Dalila) | Camille Saint-Saëns, Maria Callas, Georges Prêtre, French National Radio Orchestra | E Major | 1 | 12B | 100 BPM | ||
Puccini: La bohème, Act 1: "Sì. mi chiamano Mimì" (Mimì/Rodolfo) | Giacomo Puccini, Maria Callas, Giuseppe Di Stefano, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan | D Major | 1 | 10B | 78 BPM | ||
Strauss, R: Vier letzte Lieder, TrV 196: I. Frühling | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Radio-Sinfonie-Orchester Berlin | A♭ Major | 2 | 4B | 83 BPM | ||
Tosca / Act II: "Vissi d'arte, vissi d'amore" | Giacomo Puccini, Katia Ricciarelli, Ruggero Raimondi, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 0 | 5B | 92 BPM |
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