Alessandro Scarlatti, Teresa Berganza, Ricardo Requejo's 'Il Flavio - Arranged by: Felix Lavilla: Chi vuole innamorarsi' came out on January 1, 2005. With Il Flavio - Arranged by: Felix Lavilla: Chi vuole innamorarsi being less than two minutes long, at 1:15, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 7 out of 105 in Brava Berganza by Teresa Berganza. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Il Flavio - Arranged by: Felix Lavilla: Chi vuole innamorarsi's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Il Flavio - Arranged by: Felix Lavilla: Chi vuole innamorarsi by Alessandro Scarlatti, Teresa Berganza, Ricardo Requejo is Allegro (fast, quick, and bright), since this song has a tempo of 145 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Alcyone Suite: Marche en rondeau | Marin Marais, Tafelmusik Baroque Orchestra, Jeanne Lamon | D♭ Minor | 2 | 12A | 129 BPM | ||
Symphony in A Major, J-C 62: II. Andante e pianissimo | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Minor | 0 | 1A | 104 BPM | ||
Concerto Grosso in E Minor, Op. 3, No. 3: I. Allegro | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | E Minor | 2 | 9A | 102 BPM | ||
Trio Sonata No. 1 in A Minor: II. Fuga | William Boyce, Simon Standage, Collegium Musicum 90 | A♭ Minor | 1 | 1A | 81 BPM | ||
Maddalena ai piedi di Cristo: No. 1 Sinfonia | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini | A♭ Major | 2 | 4B | 170 BPM | ||
Six Brandenburg Concertos, No. 5 in D Major, BWV 1050: I. Allegro | Johann Sebastian Bach, Rinaldo Alessandrini, Concerto Italiano | D♭ Major | 2 | 3B | 98 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: I. Introitus, "Requiem æternam" | Niccolò Jommelli, Miriam Feuersinger, Gaia Petrone, Il Gardellino, Peter Van Heyghen | D Major | 0 | 10B | 77 BPM | ||
Violin Sonata in E Major, Op. 5 No. 11 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): III. Adagio | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | D♭ Minor | 1 | 12A | 110 BPM | ||
Scarlatti, Alessandro : Sonata for Recorder & 2 Violins in A minor : II Largo | Alessandro Scarlatti, Il Giardino Armonico, Giovanni Antonini | B Major | 0 | 1B | 62 BPM | ||
Hasse: Orfeo: "Sempre a si vaghi rai" (Orfeo) | Johann Adolf Hasse, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | E Major | 3 | 12B | 176 BPM |
Section: 0.5358107089996338
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