"Couvin, S. 2: Act I Prelude" by Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi was released on July 10, 2020. With Couvin, S. 2: Act I Prelude being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 13 out of 15 in Auber: Overtures, Vol. 2 by Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi. Couvin, S. 2: Act I Prelude is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Couvin, S. 2: Act I Prelude by Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le maçon, S. 13 (Excerpts): Overture | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | G Major | 1 | 9B | 139 BPM | ||
Intend | Orion King | D♭ Major | 2 | 3B | 151 BPM | ||
Morceau de Concert, Op.94 for Horn and Orchestra: 2. Allegro non troppo | Camille Saint-Saëns, Hermann Baumann, Gewandhausorchester Leipzig, Kurt Masur | F Major | 1 | 7B | 122 BPM | ||
Romance, Aquarelles Op.19 No.7 (Niels Gade) | The Gerst Ensemble | D Major | 0 | 10B | 85 BPM | ||
7 Pieces enfantines (7 Children's Pieces): Chatterie (Titbit) | Paul Le Flem, Rhenish Philharmonic Orchestra, James Lockhart | B♭ Major | 0 | 6B | 115 BPM | ||
Der Fischer und das Milchmädchen: XI. Allegretto ma non troppo | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
L'etoile du nord: Act III: Entr'acte | Giacomo Meyerbeer, Elizabeth Futral, Vladimir Ognev, Darina Takova, Aled Hall, Christopher Maltman, Juan Diego Flórez, Agnete Munk Rasmussen, Patrizia Cigna, Robert Lee, Fernand Bernadi, Luis Ledesma, Wexford Festival Opera Chorus, RTÉ National Symphony Orchestra, Vladimir Jurowski | G Major | 0 | 9B | 79 BPM | ||
Divertimento No. 1, Op. 20: V. Csurdongolo (Stamping dance) | Leó Weiner, Budapest Strings, Karoly Botvay | G Major | 1 | 9B | 146 BPM | ||
Raymonda, Op. 57: Act I - Scene II | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | B♭ Major | 0 | 6B | 70 BPM | ||
La bergère châtelaine, S. 5 (Excerpts): Entr'acte to Act II | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | A Major | 2 | 11B | 111 BPM |
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