Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Arr. Anna Saradjian) - Gottfried Heinrich Stölzel, Lang Lang Information

Acousticness: 100%
Danceability: 34%
Energy: 5%
Instrumentalness: 87%
Liveness: 6%
Loudness: 59%
Speechiness: 5%
Valence: 20%
Popularity: 13%
Loudness: -24.33 dB

Summary

Gottfried Heinrich Stölzel, Lang Lang's 'Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Arr. Anna Saradjian)' came out on February 12, 2021. The duration of Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Arr. Anna Saradjian) is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Arr. Anna Saradjian)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 78 in Bach: Goldberg Variations (Extended Edt.) by Johann Sebastian Bach, Lang Lang, Gottfried Heinrich Stölzel, Johann Gottlieb Goldberg, Robert Schumann. Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Arr. Anna Saradjian) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Arr. Anna Saradjian) BPM

The tempo marking of Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Arr. Anna Saradjian) by Gottfried Heinrich Stölzel, Lang Lang is Larghetto (rather broadly), since this song has a tempo of 64 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Arr. Anna Saradjian) Key

This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
The Seasons, Op. 37b: X. October (Autumn Song)	Pyotr Ilyich Tchaikovsky, Khatia Buniatishvili	D Minor	0	7A	78 BPM
Keyboard Sonata in A Major, Wq. 54/6, H. 207: I. Allegro di molto	Carl Philipp Emanuel Bach, Ana-Marija Markovina	A Major	1	11B	0 BPM
Andante favori, WoO 57	Ludwig van Beethoven, Nelson Freire	F Major	1	7B	92 BPM
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten)	Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields	C Major	1	8B	68 BPM
Keyboard Sonata in E Major, K. 380: Andante commodo	Domenico Scarlatti, Ivo Pogorelich	B Major	0	1B	88 BPM
Keyboard Concerto in G Major, Wq. 44: II. Andantino	Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig	E Minor	0	9A	87 BPM
Orfeo ed Euridice, Act II Scene 2: Ballet Music, "Reigen der seligen Geister" (arr. W. Kempff): Orpheus and Eurydice: Ballet Music - Reigen der seligen Geister (trans. W. Kempff)	Wilhelm Kempff, Christoph Willibald Gluck, Idil Biret	F Major	0	7B	81 BPM
Piano Concerto No. 1 in C Major, Op. 11, J. 98: II. Adagio	Carl Maria von Weber, Benjamin Frith, RTE Sinfonietta, Proinnsias O'Duinn	A♭ Major	0	4B	95 BPM
Concerto for violoncello piccolo in G Major, RV. 414: II. Largo	Antonio Vivaldi, Ophélie Gaillard, Pulcinella Orchestra	E♭ Minor	2	2A	99 BPM
Musiche sacre: No. 23, Canzon à 3	Francesco Cavalli, London Baroque	A♭ Minor	1	1A	122 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.9858722686767578

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