"Gounod: Faust, CG 4, Act 2 Scene 1: No. 5, Choeur, "Vin ou bière … Jeune adepte du tonneau" (Choeur, Wagner)" by Charles Gounod, Victor Autran/Choeurs de l'Opéra National de Paris/Orchestre de l'Opéra National de Paris/André Cluytens, André Cluytens, Orchestre du Théâtre National de l'Opéra Paris was released on 2003. With this song being about 5 minutes long, at 4:33, "Gounod: Faust, CG 4, Act 2 Scene 1: No. 5, Choeur, "Vin ou bière … Jeune adepte du tonneau" (Choeur, Wagner)" by Charles Gounod, Victor Autran/Choeurs de l'Opéra National de Paris/Orchestre de l'Opéra National de Paris/André Cluytens, André Cluytens, Orchestre du Théâtre National de l'Opéra Paris is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Charles Gounod, André Cluytens's "Gounod: Faust" album is number 9 out of 62. On top of that, United Kingdom appears to be the country where this track was created. Gounod: Faust, CG 4, Act 2 Scene 1: No. 5, Choeur, "Vin ou bière … Jeune adepte du tonneau" (Choeur, Wagner) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Gounod: Faust, CG 4, Act 2 Scene 1: No. 5, Choeur, "Vin ou bière … Jeune adepte du tonneau" (Choeur, Wagner) by Charles Gounod, Victor Autran/Choeurs de l'Opéra National de Paris/Orchestre de l'Opéra National de Paris/André Cluytens, André Cluytens, Orchestre du Théâtre National de l'Opéra Paris to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
Album for the Young, Op. 39: No. 3. Mamma (Maman) | Pyotr Ilyich Tchaikovsky, Carol Rosenberger | G Major | 0 | 9B | 87 BPM | ||
Romeo and Juliette, Act II: Entr'acte | Charles Gounod, Michel Plasson, Wolff, Orchestre Du Capitole De Toulouse | G Major | 0 | 9B | 111 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Arabella Steinbacher, Orquestra Gulbenkian, Lawrence Foster | E♭ Major | 0 | 5B | 100 BPM | ||
Symphony No. 5 in C Sharp Minor: IV. Adagietto (conclusion) | New Philharmonia Orchestra, Sir John Barbirolli | F Major | 1 | 7B | 114 BPM | ||
2 Swedish Folk-Melodies, Op. 27: No. 1 Allt under himmelens faste: Adagio | Johan Svendsen, Bournemouth Sinfonietta, Richard Studt | E Minor | 1 | 9A | 92 BPM | ||
Gounod : Faust: Act 1 "Avant de quitter" [Valentin] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | E♭ Major | 1 | 5B | 78 BPM | ||
Symphony No. 2 in A Major: II. Andante cantabile | Vasily Kalinnikov, Ukraine National Symphony Orchestra, Theodore Kuchar | F♯ Minor | 1 | 11A | 69 BPM | ||
Faust: Waltz | Charles Gounod, Slovak Radio Symphony Orchestra, Richard Hayman | A♭ Major | 1 | 4B | 118 BPM |
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