"Romeo and Juliette, Act II: Entr'acte" by Charles Gounod, Michel Plasson, Wolff, Orchestre Du Capitole De Toulouse was released on 1998. The duration of Romeo and Juliette, Act II: Entr'acte is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Romeo and Juliette, Act II: Entr'acte's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Charles Gounod, Michel Plasson's "Gounod: Roméo et Juliette" album is number 16 out of 67. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Romeo and Juliette, Act II: Entr'acte is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Romeo and Juliette, Act II: Entr'acte by Charles Gounod, Michel Plasson, Wolff, Orchestre Du Capitole De Toulouse to be Moderato (at a moderate speed) because the track has a tempo of 111 BPM, a half-time of 56BPM, and a double-time of 222 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen, Act III, No.20 Trio: En vain pour éviter (Carmen) | Georges Bizet, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | D♭ Major | 1 | 3B | 83 BPM | ||
Dolly, Op. 56: 3. Le Jardin de Dolly | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
Ultimate Sacrifice-Freedom (5m21-22) | John Powell | B♭ Major | 2 | 6B | 95 BPM | ||
Symphony No.8 In G, Op.88, B. 163: 1. Allegro con brio | Antonín Dvořák, Wiener Philharmoniker, Herbert von Karajan | G Major | 2 | 9B | 71 BPM | ||
Das Rheingold, WWV 86A / Erste Szene: Vorspiel - Live At Staatsoper, Vienna / 2011 | Richard Wagner, Vienna State Opera Orchestra, Christian Thielemann | E♭ Major | 0 | 5B | 139 BPM | ||
La Bohème, SC 6, Act IV: Sono andati? | Giacomo Puccini, Cincinnati Pops Orchestra, Erich Kunzel | A♭ Major | 0 | 4B | 82 BPM | ||
Pavane | Gabriel Fauré, Charles Gerhardt | F♯ Minor | 2 | 11A | 153 BPM | ||
Romeo and Juliette, Act IV: La Fiancee et les Fleurs | Charles Gounod, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse, Orchestre Du Capitole De Toulouse | G Major | 0 | 9B | 111 BPM | ||
Tristia, Op.18: 3. Marche funèbre pour la dernière scène d'Hamlet | Hector Berlioz, Cleveland Orchestra, Pierre Boulez, The Cleveland Orchestra Chorus, Gareth Morrell | A Minor | 1 | 8A | 82 BPM | ||
Carmen, Act III: Air: Je dis que rien ne m'épouvante (Micaëla) | Georges Bizet, Inva Mula/Orchestre National du Capitole de Toulouse/Michel Plasson, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | G Major | 0 | 9B | 73 BPM |
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