"A Spring Symphony Op. 44: The Driving Boy (G Peele and J Clare)" by Benjamin Britten, Sheila Armstrong, André Previn, London Symphony Orchestra was released on 1986. The duration of A Spring Symphony Op. 44: The Driving Boy (G Peele and J Clare) is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. A Spring Symphony Op. 44: The Driving Boy (G Peele and J Clare)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 16 in Britten: Spring Symphony, Four Sea Interludes (Peter Grimes) by Benjamin Britten, André Previn, London Symphony Orchestra. A Spring Symphony Op. 44: The Driving Boy (G Peele and J Clare) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of A Spring Symphony Op. 44: The Driving Boy (G Peele and J Clare) by Benjamin Britten, Sheila Armstrong, André Previn, London Symphony Orchestra is Lento (slowly), since this song has a tempo of 60 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Rejoice in the Lamb, Op. 30: For I will consider my Cat Jeoffrey | Benjamin Britten, Benedict Giles, Malcolm Green, Simon Wall, Thomas Williams, Iain Farrington, Choir of St. John's College, Cambridge, Christopher Robinson | D♭ Major | 3 | 3B | 124 BPM | ||
Fünf Lieder: Ich Wandle Unter Blumen | Alma Mahler, Barbara Hannigan, Reinbert de Leeuw | F♯ Major | 0 | 2B | 75 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 113 BPM | ||
String Quartet No.8 In C Minor, Op.110: 4. Largo - Live | Dmitri Shostakovich, Emerson String Quartet | A♭ Major | 0 | 4B | 86 BPM | ||
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: II. Andante | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | G Major | 1 | 9B | 95 BPM | ||
Pictures At An Exhibition (Orch. Ravel): Promenade II | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | A♭ Major | 0 | 4B | 80 BPM | ||
Poulenc: Concerto for Two Pianos in D Minor, FP 61: II. Larghetto | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | B♭ Major | 0 | 6B | 84 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: V. Adagio, molto tranquilo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | E Minor | 1 | 9A | 125 BPM | ||
Peer Gynt Suite No. 2, Op. 55: I. The Abduction (Ingrid's Lament) | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Minor | 1 | 6A | 135 BPM | ||
Saint Nicolas, Op. 42: Nicolas and the Pickled Boys | Benjamin Britten, Sir Peter Pears, Aldeburgh Festival Chorus, Boys From The Choir Of St. Mary-Le-Tower, Ipswich, The Aldeburgh Festival Orchestra | B Minor | 1 | 10A | 110 BPM |
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