String Quartet No.8 In C Minor, Op.110: 4. Largo - Live
Dmitri Shostakovich, Emerson String Quartet
Shostakovich: The String Quartets
4:45 January 1, 2000
BPM
86
Key
A♭ Major
Camelot
4B

Embed

Share Link

String Quartet No.8 In C Minor, Op.110: 4. Largo - Live - Dmitri Shostakovich, Emerson String Quartet Information

Acousticness
87%
Danceability
19%
Energy
0%
Instrumentalness
83%
Liveness
10%
Loudness
54%
Speechiness
5%
Valence
4%
Popularity
Loudness
-27.853 dB

Summary

"String Quartet No.8 In C Minor, Op.110: 4. Largo - Live" by Dmitri Shostakovich, Emerson String Quartet was released on January 1, 2000. With this song being about 5 minutes long, at 4:45, "String Quartet No.8 In C Minor, Op.110: 4. Largo - Live" by Dmitri Shostakovich, Emerson String Quartet is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 62 in the song's album "Shostakovich: The String Quartets". In this album, this song's track order is #7. String Quartet No.8 In C Minor, Op.110: 4. Largo - Live is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

String Quartet No.8 In C Minor, Op.110: 4. Largo - Live BPM

With String Quartet No.8 In C Minor, Op.110: 4. Largo - Live by Dmitri Shostakovich, Emerson String Quartet having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

String Quartet No.8 In C Minor, Op.110: 4. Largo - Live Key

A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Schoenberg: Verklärte Nacht, Op. 4: I. Grave by Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen BalderstonSchoenberg: Verklärte Nacht, Op. 4: I. GraveArnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen BalderstonD Minor17A174 BPM
String Quartet No. 17 in B-Flat Major, K. 458 String Quartet No. 17 in B-Flat Major, K. 458 "The Hunt": III. AdagioWolfgang Amadeus Mozart, Emerson String QuartetE♭ Major05B127 BPM
String Quartet No. 1 In C Minor, Op. 51 No. 1: 1. Allegro - 2007 Recording by Johannes Brahms, Emerson String QuartetString Quartet No. 1 In C Minor, Op. 51 No. 1: 1. Allegro - 2007 RecordingJohannes Brahms, Emerson String QuartetC Minor15A127 BPM
Mephisto Waltz No. 1, S. 514 by Franz Liszt, Evgeny KissinMephisto Waltz No. 1, S. 514Franz Liszt, Evgeny KissinD♭ Minor212A70 BPM
Gretchen am Spinnrade, D. 118 (Arr. for Piano by Franz Liszt) by Franz Schubert, Yuja WangGretchen am Spinnrade, D. 118 (Arr. for Piano by Franz Liszt)Franz Schubert, Yuja WangC Major38B78 BPM
3 Romances, Op. 11: 1. Andante by Clara Schumann, Isata Kanneh-Mason3 Romances, Op. 11: 1. AndanteClara Schumann, Isata Kanneh-MasonE♭ Minor02A127 BPM
Nocturnes, L. 91: 1. Nuages by Claude Debussy, Berliner Philharmoniker, Claudio AbbadoNocturnes, L. 91: 1. NuagesClaude Debussy, Berliner Philharmoniker, Claudio AbbadoC Major08B83 BPM
Symphonie fantastique, Op. 14, H 48: II. Un Bal by Hector Berlioz, London Symphony Orchestra, Sir Colin DavisSymphonie fantastique, Op. 14, H 48: II. Un BalHector Berlioz, London Symphony Orchestra, Sir Colin DavisA Major111B113 BPM
Pyat'dney-pyat' nochey (Five Days - Five Nights), Op. 111a: IV. Interlude by Lev Atovmyan, Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore KucharPyat'dney-pyat' nochey (Five Days - Five Nights), Op. 111a: IV. InterludeLev Atovmyan, Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore KucharB♭ Major06B89 BPM
La Mer, L.109: 1. From Dawn Till Noon On The Sea (De l'aube à midi sur la mer) by Claude Debussy, Orchestre Symphonique de Montréal, Charles DutoitLa Mer, L.109: 1. From Dawn Till Noon On The Sea (De l'aube à midi sur la mer)Claude Debussy, Orchestre Symphonique de Montréal, Charles DutoitF♯ Major12B61 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.5791881084442139

End: 0.5839540958404541