Madama Butterfly (1986 - Remaster), Act II: Vespa! Rospo maledetto! (Suzuki/Butterfly/Goro)
Giacomo Puccini, Renata Scotto, Anna Di Stasio, Piero de Palma, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Sir John Barbirolli, Orchestra Del Teatro Dell'Opera Di Roma
Puccini: Madam Butterfly
1:43 1967
BPM
120
Key
D♭ Minor
Camelot
12A

Embed

Share Link

Madama Butterfly (1986 - Remaster), Act II: Vespa! Rospo maledetto! (Suzuki/Butterfly/Goro) - Giacomo Puccini, Renata Scotto, Anna Di Stasio, Piero de Palma, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Sir John Barbirolli, Orchestra Del Teatro Dell'Opera Di Roma Information

Acousticness
97%
Danceability
37%
Energy
24%
Instrumentalness
0%
Liveness
77%
Loudness
71%
Speechiness
7%
Valence
12%
Popularity
Loudness
-17.221 dB

Summary

"Madama Butterfly (1986 - Remaster), Act II: Vespa! Rospo maledetto! (Suzuki/Butterfly/Goro)" by Giacomo Puccini, Renata Scotto, Anna Di Stasio, Piero de Palma, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Sir John Barbirolli, Orchestra Del Teatro Dell'Opera Di Roma was released on 1967. With Madama Butterfly (1986 - Remaster), Act II: Vespa! Rospo maledetto! (Suzuki/Butterfly/Goro) being less than two minutes long, at 1:43, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 36 in the song's album "Puccini: Madam Butterfly". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Madama Butterfly (1986 - Remaster), Act II: Vespa! Rospo maledetto! (Suzuki/Butterfly/Goro)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Madama Butterfly (1986 - Remaster), Act II: Vespa! Rospo maledetto! (Suzuki/Butterfly/Goro) BPM

With Madama Butterfly (1986 - Remaster), Act II: Vespa! Rospo maledetto! (Suzuki/Butterfly/Goro) by Giacomo Puccini, Renata Scotto, Anna Di Stasio, Piero de Palma, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Sir John Barbirolli, Orchestra Del Teatro Dell'Opera Di Roma having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Madama Butterfly (1986 - Remaster), Act II: Vespa! Rospo maledetto! (Suzuki/Butterfly/Goro) Key

This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Puccini: La bohème, Act 4: Puccini: La bohème, Act 4: "O Mimì, tu più non torni" (Rodolfo/Marcello)Giacomo Puccini, Giuseppe Di Stefano, Rolando Panerai, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di MilanC Major18B137 BPM
Puccini: Il tabarro: Puccini: Il tabarro: "O Michele? Michele?" (Giorgetta, Michele, Luigi, Il Tinca, Il Talpa, Chorus)Giacomo Puccini, Carlo Guelfi/Neil Shicoff/Riccardo Cassinelli/Enrico Fissore/Maria Guleghina/London Voices/Terry Edwards/London Symphony Orchestra/Antonio Pappano, Antonio Pappano, London Symphony OrchestraG Minor26A112 BPM
Puccini: Gianni Schicchi: Puccini: Gianni Schicchi: "Ecco il notaio" (Rinuccio, Pinellino, Amantio, Guccio, Schicchi, La Ciesca, Nella, Zita, Simone)Giacomo Puccini, Gabriele Santini, Orchestra Del Teatro Dell'Opera Di Roma, Tito Gobbi, Carlo Del Monte, Adelio Zagonara, Paolo Caroli, Alfredo MariottiD♭ Major13B110 BPM
"Poveri fiori" from Adriana Lecouvreur, Act IVFrancesco Cilea, Gianandrea Gavazzeni, London Symphony Orchestra, Renata ScottoD Minor17A133 BPM
Lucia di Lammermoor / Act 3: Lucia di Lammermoor / Act 3: "D'immenso giubilo"Gaetano Donizetti, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard BonyngeE Minor09A89 BPM
L'elisir d'amore / Act 1: Marcia...L'elisir d'amore / Act 1: Marcia..."Come Paride vezzoso"Gaetano Donizetti, Dominic Cossa, Dame Joan Sutherland, Maria Casula, Luciano Pavarotti, Ambrosian Opera Chorus, English Chamber Orchestra, Richard BonyngeC Major28B173 BPM
Norma / Act 1: Oh! qual traspare orribile by Vincenzo Bellini, Montserrat Caballé, Dame Joan Sutherland, Orchestra of the Welsh National Opera, Richard BonyngeNorma / Act 1: Oh! qual traspare orribileVincenzo Bellini, Montserrat Caballé, Dame Joan Sutherland, Orchestra of the Welsh National Opera, Richard BonyngeB♭ Major16B134 BPM
L'elisir d'amore / Act 2: Introduzione - L'elisir d'amore / Act 2: Introduzione - "Cantiamo, cantiam" - "Poichè cantarvi alletta"Gaetano Donizetti, Dominic Cossa, Spiro Malas, Maria Casula, Dame Joan Sutherland, Ambrosian Opera Chorus, English Chamber Orchestra, Richard BonyngeC Major38B94 BPM
Tosca / Act 2: Tosca / Act 2: "Ha più forte sapore" - "Spoletta è giunto"Giacomo Puccini, Sherrill Milnes, Paul Hudson, National Philharmonic Orchestra, Nicola RescignoA♭ Major34B178 BPM
Norma (1997 Digital Remaster), ACT 2, Scene 1: Dormono entrambi (Norma) by Vincenzo Bellini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di MilanNorma (1997 Digital Remaster), ACT 2, Scene 1: Dormono entrambi (Norma)Vincenzo Bellini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di MilanD Minor07A77 BPM
ISRC
GBAYC8600161
Label
L-M Records/RCA Records

Section: 0.6618707180023193

End: 0.665813684463501