"Madama Butterfly (1986 - Remaster), Act II: Vespa! Rospo maledetto! (Suzuki/Butterfly/Goro)" by Giacomo Puccini, Renata Scotto, Anna Di Stasio, Piero de Palma, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Sir John Barbirolli, Orchestra Del Teatro Dell'Opera Di Roma was released on 1967. With Madama Butterfly (1986 - Remaster), Act II: Vespa! Rospo maledetto! (Suzuki/Butterfly/Goro) being less than two minutes long, at 1:43, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 36 in the song's album "Puccini: Madam Butterfly". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Madama Butterfly (1986 - Remaster), Act II: Vespa! Rospo maledetto! (Suzuki/Butterfly/Goro)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Madama Butterfly (1986 - Remaster), Act II: Vespa! Rospo maledetto! (Suzuki/Butterfly/Goro) by Giacomo Puccini, Renata Scotto, Anna Di Stasio, Piero de Palma, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Sir John Barbirolli, Orchestra Del Teatro Dell'Opera Di Roma having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Puccini: La bohème, Act 4: "O Mimì, tu più non torni" (Rodolfo/Marcello) | Giacomo Puccini, Giuseppe Di Stefano, Rolando Panerai, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan | C Major | 1 | 8B | 137 BPM | ||
Puccini: Il tabarro: "O Michele? Michele?" (Giorgetta, Michele, Luigi, Il Tinca, Il Talpa, Chorus) | Giacomo Puccini, Carlo Guelfi/Neil Shicoff/Riccardo Cassinelli/Enrico Fissore/Maria Guleghina/London Voices/Terry Edwards/London Symphony Orchestra/Antonio Pappano, Antonio Pappano, London Symphony Orchestra | G Minor | 2 | 6A | 112 BPM | ||
Puccini: Gianni Schicchi: "Ecco il notaio" (Rinuccio, Pinellino, Amantio, Guccio, Schicchi, La Ciesca, Nella, Zita, Simone) | Giacomo Puccini, Gabriele Santini, Orchestra Del Teatro Dell'Opera Di Roma, Tito Gobbi, Carlo Del Monte, Adelio Zagonara, Paolo Caroli, Alfredo Mariotti | D♭ Major | 1 | 3B | 110 BPM | ||
"Poveri fiori" from Adriana Lecouvreur, Act IV | Francesco Cilea, Gianandrea Gavazzeni, London Symphony Orchestra, Renata Scotto | D Minor | 1 | 7A | 133 BPM | ||
Lucia di Lammermoor / Act 3: "D'immenso giubilo" | Gaetano Donizetti, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | E Minor | 0 | 9A | 89 BPM | ||
L'elisir d'amore / Act 1: Marcia..."Come Paride vezzoso" | Gaetano Donizetti, Dominic Cossa, Dame Joan Sutherland, Maria Casula, Luciano Pavarotti, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | C Major | 2 | 8B | 173 BPM | ||
Norma / Act 1: Oh! qual traspare orribile | Vincenzo Bellini, Montserrat Caballé, Dame Joan Sutherland, Orchestra of the Welsh National Opera, Richard Bonynge | B♭ Major | 1 | 6B | 134 BPM | ||
L'elisir d'amore / Act 2: Introduzione - "Cantiamo, cantiam" - "Poichè cantarvi alletta" | Gaetano Donizetti, Dominic Cossa, Spiro Malas, Maria Casula, Dame Joan Sutherland, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | C Major | 3 | 8B | 94 BPM | ||
Tosca / Act 2: "Ha più forte sapore" - "Spoletta è giunto" | Giacomo Puccini, Sherrill Milnes, Paul Hudson, National Philharmonic Orchestra, Nicola Rescigno | A♭ Major | 3 | 4B | 178 BPM | ||
Norma (1997 Digital Remaster), ACT 2, Scene 1: Dormono entrambi (Norma) | Vincenzo Bellini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | D Minor | 0 | 7A | 77 BPM |
Section: 0.6618707180023193
End: 0.665813684463501