"Poveri fiori" from Adriana Lecouvreur, Act IV
Francesco Cilea, Gianandrea Gavazzeni, London Symphony Orchestra, Renata Scotto
Italian Opera Arias
3:05 1975
BPM
133
Key
D Minor
Camelot
7A

Embed

Share Link

"Poveri fiori" from Adriana Lecouvreur, Act IV - Francesco Cilea, Gianandrea Gavazzeni, London Symphony Orchestra, Renata Scotto Information

Acousticness
99%
Danceability
21%
Energy
8%
Instrumentalness
11%
Liveness
8%
Loudness
69%
Speechiness
5%
Valence
4%
Popularity
Loudness
-18.484 dB

Summary

""Poveri fiori" from Adriana Lecouvreur, Act IV" by Francesco Cilea, Gianandrea Gavazzeni, London Symphony Orchestra, Renata Scotto was released on 1975. The duration of "Poveri fiori" from Adriana Lecouvreur, Act IV is about 3 minutes long, at 3:05. Based on our data, ""Poveri fiori" from Adriana Lecouvreur, Act IV" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Renata Scotto's "Italian Opera Arias" album is number 9 out of 18. Based on our statistics, "Poveri fiori" from Adriana Lecouvreur, Act IV's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

"Poveri fiori" from Adriana Lecouvreur, Act IV BPM

We consider the tempo marking of "Poveri fiori" from Adriana Lecouvreur, Act IV by Francesco Cilea, Gianandrea Gavazzeni, London Symphony Orchestra, Renata Scotto to be Allegro (fast, quick, and bright) because the track has a tempo of 133 BPM, a half-time of 66BPM, and a double-time of 266 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.

"Poveri fiori" from Adriana Lecouvreur, Act IV Key

D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
L'elisir d'amore / Act 2: L'elisir d'amore / Act 2: "Ei corregge ogni difetto"Gaetano Donizetti, Spiro Malas, Dame Joan Sutherland, Luciano Pavarotti, Dominic Cossa, Ambrosian Opera Chorus, English Chamber Orchestra, Richard BonyngeB♭ Major36B126 BPM
Werther / Act 3: Werther / Act 3: "Va! Laisse couler mes larmes"Jules Massenet, Elina Garanca, Orquestra de la Comunitat Valenciana, Roberto AbbadoG Minor16A86 BPM
La Gioconda / Act 1: La Gioconda / Act 1: "Voce di donna o d'angelo"Amilcare Ponchielli, Olga Borodina, Orchestra of the Welsh National Opera, Carlo RizziE♭ Major15B78 BPM
La Gioconda: Act III Scene 5: O madre mia, nell'isola fatale (Gioconda) by Amilcare Ponchielli, Andrea Gruber, Marco Berti, Alberto Mastromarino, Carlo Colombara, Ildiko Komlosi, Elisabetta Fiorillo, Francesco Palmieri, Graziano Polidori, Mauro Buffoli, Giovanni Bellavia, Dario Benini, Alessandro Calamai, Coro Dell'Arena Di Verona, Arena of Verona Orchestra, Donato RenzettiLa Gioconda: Act III Scene 5: O madre mia, nell'isola fatale (Gioconda)Amilcare Ponchielli, Andrea Gruber, Marco Berti, Alberto Mastromarino, Carlo Colombara, Ildiko Komlosi, Elisabetta Fiorillo, Francesco Palmieri, Graziano Polidori, Mauro Buffoli, Giovanni Bellavia, Dario Benini, Alessandro Calamai, Coro Dell'Arena Di Verona, Arena of Verona Orchestra, Donato RenzettiF Major27B128 BPM
Il barbiere di Siviglia / Act 2: Cessa di più resistere by Gioachino Rossini, Juan Diego Flórez, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo ChaillyIl barbiere di Siviglia / Act 2: Cessa di più resistereGioachino Rossini, Juan Diego Flórez, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo ChaillyB♭ Major26B115 BPM
Turandot / Act 1: O giovinetto! Grazia, grazia! by Giacomo Puccini, Luciano Pavarotti, John Alldis Choir, London Philharmonic Orchestra, Zubin MehtaTurandot / Act 1: O giovinetto! Grazia, grazia!Giacomo Puccini, Luciano Pavarotti, John Alldis Choir, London Philharmonic Orchestra, Zubin MehtaB Major21B170 BPM
Les Contes d'Hoffmann / Act 1: Entr'acte by Jacques Offenbach, Orchestre de la Suisse Romande, Richard BonyngeLes Contes d'Hoffmann / Act 1: Entr'acteJacques Offenbach, Orchestre de la Suisse Romande, Richard BonyngeE Major212B100 BPM
Rusalka, Op. 114 / Act 1: I pekne vitam by Antonín Dvořák, Franz Hawlata, Livia Aghova, Dana Buresova, Hana Minutillo, Czech Philharmonic Orchestra, Sir Charles MackerrasRusalka, Op. 114 / Act 1: I pekne vitamAntonín Dvořák, Franz Hawlata, Livia Aghova, Dana Buresova, Hana Minutillo, Czech Philharmonic Orchestra, Sir Charles MackerrasA Major211B135 BPM
Don Pasquale / Act 3: Don Pasquale / Act 3: "Com'è gentil"Gaetano Donizetti, Luciano Pavarotti, Ambrosian Singers, New Philharmonia Orchestra, Leone MagieraA♭ Major14B114 BPM
Madama Butterfly: Tu, tu, piccolo iddio by Giacomo Puccini, Leontyne Price, Oliviero de Fabritiis, Orchestra Del Teatro Dell'Opera Di Roma, Wiener PhilharmonikerMadama Butterfly: Tu, tu, piccolo iddioGiacomo Puccini, Leontyne Price, Oliviero de Fabritiis, Orchestra Del Teatro Dell'Opera Di Roma, Wiener PhilharmonikerB Minor310A97 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.8270206451416016

End: 0.83125901222229