"Puccini: La bohème, Act 4: "O Mimì, tu più non torni" (Rodolfo/Marcello)" by Giacomo Puccini, Giuseppe Di Stefano, Rolando Panerai, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan was released on 1958. The duration of Puccini: La bohème, Act 4: "O Mimì, tu più non torni" (Rodolfo/Marcello) is about 3 minutes long, at 3:09. Based on our data, "Puccini: La bohème, Act 4: "O Mimì, tu più non torni" (Rodolfo/Marcello)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Giacomo Puccini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Giuseppe Di Stefano, Orchestra Del Teatro Alla Scala, Milano's "La Bohème - Puccini" album is number 7 out of 26. Based on our statistics, Puccini: La bohème, Act 4: "O Mimì, tu più non torni" (Rodolfo/Marcello)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Puccini: La bohème, Act 4: "O Mimì, tu più non torni" (Rodolfo/Marcello) by Giacomo Puccini, Giuseppe Di Stefano, Rolando Panerai, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan to be Allegro (fast, quick, and bright) because the track has a tempo of 137 BPM, a half-time of 68BPM, and a double-time of 274 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Macbeth / Act 4: Una macchia è qui tuttora | Giuseppe Verdi, Stefania Malagu, Shirley Verrett, Carlo Zardo, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | D♭ Major | 0 | 3B | 82 BPM | ||
E' Strano... Follie... Sempre Libera - la Traviata Atto I | Renata Tebaldi | C Major | 2 | 8B | 74 BPM | ||
Macbeth / Act I: Vieni t'affretta...Or tutti sorgete | Giuseppe Verdi, Shirley Verrett, Giovanni Foiani, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | E Major | 3 | 12B | 125 BPM | ||
Carmen (1997 - Remaster), Act I: Quels regardes! Quelle effronterie! | Georges Bizet, Maria Callas, Nicolai Gedda, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Paris Opera Orchestra | E♭ Major | 2 | 5B | 0 BPM | ||
O tu che in seno agli Angeli | Mario del Monaco | D Major | 2 | 10B | 93 BPM | ||
Chi guardi? (Rodolfo/Colline/Mimì/Schaunard/Marcello/Coro/Parpignol/Ragazzi) - 1997 Remastered Version | Giacomo Puccini, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan, Orchestra Del Teatro Alla Scala, Milano | A Major | 2 | 11B | 72 BPM | ||
Notturno d'amore | Mario del Monaco | D Major | 2 | 10B | 93 BPM | ||
Mi par d'udire ancora (I Pescatori di Perle) | Giuseppe Di Stefano, Eduardo Moser | G Minor | 2 | 6A | 81 BPM | ||
Bellini: Norma: Act 2: "Mira, o Norma" (Adalgisa, Norma) | Vincenzo Bellini, Maria Callas, Christa Ludwig, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | E♭ Major | 0 | 5B | 79 BPM | ||
Lucia di Lammermoor / Act 3: "Si tragga altrove" | Gaetano Donizetti, Pier Francesco Poli, Sherrill Milnes, Nicolai Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Minor | 3 | 4A | 133 BPM |
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