"Quatuor pour la fin du Temps: VI. Danse de la furer, pour les sept trompettes" by Olivier Messiaen, Robert Plane, Gould Piano Trio was released on July 1, 2008. Since Quatuor pour la fin du Temps: VI. Danse de la furer, pour les sept trompettes is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Olivier Messiaen, Robert Plane, Gould Piano Trio's "Messiaen: Chamber Works" album is number 13 out of 15. In terms of popularity, Quatuor pour la fin du Temps: VI. Danse de la furer, pour les sept trompettes is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Quatuor pour la fin du Temps: VI. Danse de la furer, pour les sept trompettes by Olivier Messiaen, Robert Plane, Gould Piano Trio to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet in G Minor, Op. 10: I. Animé et très décidé | Claude Debussy, Quatuor Ébène | F♯ Minor | 0 | 11A | 84 BPM | ||
Der Bote | Valentin Silvestrov, Alexei Lubimov, Munich Chamber Orchestra, Christoph Poppen | C Major | 0 | 8B | 86 BPM | ||
The Lark Ascending: IV. Senza misura | Ralph Vaughan Williams, Hyeyoon Park, Benjamin Grosvenor | D Minor | 2 | 7A | 90 BPM | ||
Concerto grosso no.1 (1976-77): 1. Preludio: Andante | Alfred Schnittke, Gidon Kremer, Tatiana Grindenko, Yuri Smirnov, Chamber Orchestra of Europe, Heinrich Schiff | C Minor | 0 | 5A | 93 BPM | ||
13 Preludes, Op. 32: No. 5 in G Major (Moderato) | Sergei Rachmaninoff, Vladimir Ashkenazy | G Major | 0 | 9B | 70 BPM | ||
Pictures at an Exhibition (Orch. M. Ravel): VIIIb. Con mortuis in lingua mortua | Modest Mussorgsky, フランス国立リヨン管弦楽団, レナード・スラットキン | F♯ Major | 0 | 2B | 46 BPM | ||
Shaker Loops (version for string orchestra): Shaking and Trembling | John Adams, Bournemouth Symphony Orchestra, Marin Alsop | C Major | 1 | 8B | 146 BPM | ||
Quatuor pour la fin du Temps: VIII. Louange à l'immortalité de Jésus | Olivier Messiaen, Lucas Debargue | E Major | 0 | 12B | 76 BPM | ||
Preludes: Un reflect dans le vent (A Reflection in the Wind) | Olivier Messiaen, Håkon Austbø | D Major | 0 | 10B | 87 BPM | ||
Lamentate: Consolante | Arvo Pärt, Alexei Lubimov, Andrey Boreyko, Radio-Sinfonieorchester Stuttgart | D♭ Minor | 0 | 12A | 80 BPM |
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