"Shaker Loops (version for string orchestra): Shaking and Trembling" by John Adams, Bournemouth Symphony Orchestra, Marin Alsop was released on October 17, 2004. Since Shaker Loops (version for string orchestra): Shaking and Trembling is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 7 in Adams: Shaker Loops / Wound Dresser / Short Ride in A Fast Machine by John Adams, Marin Alsop. Based on our statistics, Shaker Loops (version for string orchestra): Shaking and Trembling's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Shaker Loops (version for string orchestra): Shaking and Trembling by John Adams, Bournemouth Symphony Orchestra, Marin Alsop is Allegro (fast, quick, and bright), since this song has a tempo of 146 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Wir glauben all' an einen Gott, BWV 680 (arr. L. Stokowski): Clavierubung III: Wir glauben all' an einen Gott, BWV 680 (arr. L. Stokowski) | Johann Sebastian Bach, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | D Minor | 1 | 7A | 52 BPM | ||
Verklarte Nacht (Transfigured Night), Op. 4: Sehr langsam - | Arnold Schoenberg, Fred Sherry String Sextet | C Minor | 1 | 5A | 59 BPM | ||
Japanese Suite, Op. 33: V. Dance under the Cherry Tree | Gustav Holst, Ulster Orchestra, Joann Falletta | B♭ Major | 0 | 6B | 85 BPM | ||
Shaker Loops: Pt. I, Shaking and Trembling | John Adams, Orchestra of St. Luke's | G Major | 1 | 9B | 153 BPM | ||
White Landscapes, Op. 47a: II. Stillness in Snow. Moderato | Takashi Yoshimatsu, Sachio Fujioka, Manchester Camerata, John Barrow, Kate Wilson, Jonathan Price | E Minor | 0 | 9A | 88 BPM | ||
Tristan & Isolde: Isoldes Liebesverlangen | Richard Wagner, Edo de Waart | B♭ Major | 1 | 6B | 77 BPM | ||
Symphony No. 3: Andante con noto | Krzysztof Penderecki, Polish National Radio Symphony Orchestra, Antoni Wit | C Major | 0 | 8B | 110 BPM | ||
Variation 8: Presto non troppo | Johannes Brahms, London Philharmonic Orchestra, Marin Alsop | E Major | 1 | 12B | 90 BPM | ||
A csodalatos mandarin (The Miraculous Mandarin), Op. 19, BB 82: The three tramps leap out, seize the Mandarin and tear him away from the girl | Béla Bartók, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Marin Alsop | D♭ Major | 1 | 3B | 80 BPM | ||
Four Studies: II. Fast Canons | Nico Muhly, Angela Chun, Jennifer Chun | A Minor | 2 | 8A | 164 BPM |
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