"Nabucco: Pt. I: In Jerusalem: Recitative. Fenena! Oh, my beloved! (Ismael, Fenena) [Sung in English]" by Giuseppe Verdi, Alan Opie, Orchestra of Opera North, David Parry, Leonardo Capalbo, Alastair Miles, Susan Patterson, Jane Irwin, Dean Robinson, Paul Wade, Camilla Roberts, Opera North Chorus was released on January 1, 2006. The duration of Nabucco: Pt. I: In Jerusalem: Recitative. Fenena! Oh, my beloved! (Ismael, Fenena) [Sung in English] is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Nabucco: Pt. I: In Jerusalem: Recitative. Fenena! Oh, my beloved! (Ismael, Fenena) [Sung in English]'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Verdi: Nabucco (Sung in English) by Giuseppe Verdi, Alan Opie. The song's track number on the album is #7 out of 46 tracks. Based on our statistics, Nabucco: Pt. I: In Jerusalem: Recitative. Fenena! Oh, my beloved! (Ismael, Fenena) [Sung in English]'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Nabucco: Pt. I: In Jerusalem: Recitative. Fenena! Oh, my beloved! (Ismael, Fenena) [Sung in English] by Giuseppe Verdi, Alan Opie, Orchestra of Opera North, David Parry, Leonardo Capalbo, Alastair Miles, Susan Patterson, Jane Irwin, Dean Robinson, Paul Wade, Camilla Roberts, Opera North Chorus has a tempo of 129 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Nabucco: Pt. I: In Jerusalem: Recitative. Fenena! Oh, my beloved! (Ismael, Fenena) [Sung in English] being at 129 BPM, the half-time would be 64 BPM with a double-time of 258 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | ||
Il bacio | Luigi Arditi, Edita Gruberova, Stuttgart Radio Symphony Orchestra, Kurt Peter Eichhorn | G Major | 1 | 9B | 173 BPM | ||
La sonnambula, Act I: Come per me sereno | Vincenzo Bellini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto | E♭ Major | 1 | 5B | 88 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Minor | 0 | 7A | 117 BPM | ||
Miniera | Leo Nucci, Salotto Ottocento Ensemble | A Major | 2 | 11B | 119 BPM | ||
Lohengrin, WWV 75: Prelude To Act III | Richard Wagner, Wiener Philharmoniker, Karl Böhm | G Major | 3 | 9B | 120 BPM | ||
Il Trovatore, IGV 31, Act IV: "Miserere d'un'alma già vicina" (Coro, Leonora, Manrico) | Giuseppe Verdi, Salvatore Cammarano, Palacio de las Bellas Artes Orchestra, Guido Picco, Palacio de las Bellas Artes Chorus, Maria Callas, Kurt Baum | A♭ Major | 2 | 4B | 80 BPM | ||
L'elisir d'amore / Act 2: "Una furtiva lagrima...Eccola!" | Gaetano Donizetti, Luciano Pavarotti, Dame Joan Sutherland, English Chamber Orchestra, Richard Bonynge | F Minor | 1 | 4A | 175 BPM | ||
Carmen, Act 2: Votre toast (Toreador's Song) | Georges Bizet, Kostas Paskalis/Eliane Lublin/Viorica Cortez/Grace Bumbry/Choeurs de l'Opéra National de Paris/Orchestre de l'Opéra National de Paris/Rafael Frühbeck de Burgos, Rafael Frühbeck de Burgos, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | G Minor | 0 | 6A | 124 BPM | ||
Lucia di Lammermoor / Act 3: Oh, giusto cielo!...Il dolce suono | Gaetano Donizetti, Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Minor | 1 | 4A | 92 BPM |
Section: 0.9129869937896729
End: 0.9176352024078369