- BPM
- 176
- Key
- A♭ Minor
- Camelot
- 1A
La Savoye - Louis Pecour, Ensemble Buon tempo Information
- Acousticness
- 86%
- Danceability
- 27%
- Energy
- 35%
- Instrumentalness
- 96%
- Liveness
- 11%
- Loudness
- 75%
- Speechiness
- 4%
- Valence
- 49%
- Popularity
- 1%
- Loudness
- -14.949 dB
Summary
Louis Pecour, Ensemble Buon tempo made "La Savoye" available on January 1, 2007. With La Savoye being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 10 out of 22 in Attaingnant / Playford / Lully / Mozart: Court Dance in the 16th to 18th Centuries by Ensemble Buon tempo. The popularity of La Savoye is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
La Savoye BPM
The tempo marking of La Savoye by Louis Pecour, Ensemble Buon tempo is Vivace (lively and fast), since this song has a tempo of 176 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
La Savoye Key
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Fantasia-Suite in A Minor, VdGS group IV, No. 1: III. Courante | John Jenkins, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | |
 | Lachrimae or Seven Tears: II. Lachrimae antiquae novae | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | |
 | Robert De Visée - Prelude for 2 Theorbos | Robert de Visée, Andreas Nachtsheim, Klaus Mader | F♯ Major | 1 | 2B | 70 BPM | |
 | Dispietata pietate | Sigismondo D'India, Cappella Mediterranea, Leonardo García-Alarcón, Ana Vieira Leite, Mariana Flores, Léo Fernique, Valerio Contaldo, Matteo Bellotto | B♭ Minor | 0 | 3A | 110 BPM | |
| Lachrimae or Seven Tears: XVII. Mr Thomas Collier his Galliard with Two Trebles | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | |
 | Adson's Masque | John Adson, Dorothee Oberlinger | G Minor | 2 | 6A | 130 BPM | |
| Lachrimae or Seven Tears: VIII. Mr Nicholas Gryffith his Galliard | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | |
 | Brando dicho el Melo | Andrea Falconieri, La Ritirata, Josetxu Obregon | C Major | 6 | 8B | 70 BPM | |
| Sonata for Recorder and Continuo in D Minor: III. Allegro | James Paisible, Tamar Lalo, La Ritirata, Josetxu Obregon | C Major | 4 | 8B | 95 BPM | |
| Little Consort in Two Parts for Severall Friends in C minor-major: II. Pavan | Matthew Locke, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.5493135452270508
End: 0.5531361103057861